A Quote by Henry David Thoreau

There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of head or hands. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in reverie, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sang around. I grew in those seasons like corn in the night, and they were far better than any work of the hands would have been. They were not time subtracted from my life, but so much over and above my usual allowance.
I love a broad margin to my life. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise til noon, rapt in a revery.
There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of the head or hand. I love a broad margin to my life.
And there were times when one yielded quite shamelessly to the sentimental. They were more likely to be times of crickets, I think, than of birds - when it was impossible not to feel, like another essence of the sunlight, the bittersweet of life that lingers about old houses, and places where men have died, and things that forgotten hands have touched.
She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
I split it up into working on the two narrative pieces that can tell a story. The scariest thing was whether I'd be any good performing live again. It was such a long time since I'd done any live work. It's so different for me than recording. Every night my audiences were what I would dream of. You could just feel their support.
I sat back in my wooden chair as they signed the paperwork and stared down at the arm rests, studying the various layers of paint, the chips and cracks. How many hands had gripped them? I wondered. What lives were attached to those hands, what dreams were shattered, what sorrows were they trying to squeeze out of their souls?
I was fortunately able to avoid getting into any trouble with police. There was - I remember I was 12, and I did something really (laughter) - a couple of friends, Cinco de Mayo - we were off school, and we saw some people looking like they were having a party. And we had a little bit too much time on our hands, and so we figured, as kids, a great idea would be to throw some things over the fence and hit all these people with stuff, like eggs and everything.
They held hands and knew that only the coffin would lie in the earth; the bubbly laughter and the press of fingers in the palm would stay aboveground forever. At first, as they stood there, their hands were clenched together. They relaxed slowly until during the walk back home their fingers were laced in as gentle a clasp as that of any two young girlfriends trotting up the road on a summer day wondering what happened to butterflies in the winter.
Death can come at any moment. You could die this afternoon; you could die tomorrow morning; you could die on your way to work; you could die in your sleep. Most of us try to avoid the sense that death can come at any time, but its timing is unknown to us. Can we live each day as if it were our last? Can we relate to one another as if there were no tomorrow?
... we shoved out many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us - they were human, and so were we.
There wasn't a cloud in the sky, no wind, and everything was quiet around us - all we could hear were birds chirping in the woods. The war seemed like something in a faraway land that had nothing to do with us. We sang songs as we hiked up the hill, sometimes imitating the birds we heard. Except for the fact that the war was still going on, it was a perfect morning.
My children were taught at an early age how money works and that it comes from hard work. They've been on a commission - not an allowance - since they were little. They learned that if they worked around the house, they got paid. If they didn't work, they didn't get paid.
I'm the kind of person who, if I were living in another time, if I had to pick any time, I would probably be a pioneer. I just love the simplicity of what it means to work hard with your hands - to eat and survive.
When I would work freelance in production in Chicago, there were a lot of times when I was working for cheap, bad people, and I was working for slave wages anyway, so there were some times when I might have filled out a couple of blank taxi receipts and kept some petty cash. But like I say, I was very selective. It was only people that I thought were assholes. The people that I liked I went far and above saving them money, much less taking it. But that's it. I'm pretty moral. I don't even like stealing jokes.
Oh that it were with me As with the flower; Blooming on its own tree For butterfly and bee Its summer morns: That I might bloom mine hour A rose in spite of thorns. Oh that my work were done As birds' that soar Rejoicing in the sun: That when my time is run And daylight too, I so might rest once more Cool with refreshing dew.
I'll never forget the first time I saw someone who had died. It was my grandfather. And I knelt next to his coffin. And all I could do was eye level was look at his hands. They were enormous hands. And all I could think was, 'Those hands dug freedom for me.'
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