A Quote by Henry David Thoreau
The customs of some savage nations might, perchance, be profitably imitated by us, for they at least go through the semblance of casting their slough annually; they have the idea of the thing, whether they have the reality or not.
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A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earnedin the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours.
And now let us love and take that which is given us, and be happy; for in the grave there is no love and no warmth, nor any touching of the lips. Nothing perchance, or perchance but bitter memories of what might have been.
It is hard to rescue a man from the slough of luxury and idleness combined. If anything can do it, it is a cradle filled annually.
There is no 'thing' to let go of, but a concept, an idea of an ego that burdens us. As soon as we posit a 'thing' to let go of, we're in trouble. We need to change our view of reality, not attack a nonexistent entity.
As time went on, we learned to arm ourselves in our different ways. Some of us with real guns, some of us with more ephemeral weapons, an idea or improbable plan or some sort of formulation about how best to move through the world. An idea that will let us be. Protect us and keep us safe. But a weapon nonetheless.
There are some fires you can't get out of- you've got to go through the fire - you've got to go through the flood - you've got to go through the test - you've got to go through the struggle that you might decrease and he might increase.
Every thing useful and beneficial to man, seems to be connected with obedience to the laws of his nature, the inclinations, the duties, and the happiness of individuals, resolve themselves into customs and habits, favorable, in the highest degree, to society. In no case is this more apparent, than in the customs of nations respecting marriage.
Hamlet at 70: "To sleep, perchance to dream. To awaken, perchance to go to the bathroom."
Reality in movies is the reality of the story you're telling, so it may not match the reality as we know it, but the reason there's art is that it tries to bring some kind of understanding of all the suffering and joys and pain that we go through. Storytelling brings some value to it.
We're hard-wired by 200,000 years of evolution to be sensitive to the idea that someone might be watching us. They might be predators, after all. An uneasy feeling is perfectly natural if you suspect that someone has you in their ocular sights, whether it's a ghost or just some guy at the bus stop.
We all, if we go with ego I go or you go ego thing, it's got to be free from all of that and just roll, because music is a spiritual thing. It's got to come through us and can't just hit us. It's got to be part of us that comes through us and goes to the people, and then they come back to us and give us more spirit.
The painter sees the semblance of things and repeats it. That is, without fabricating the things himself, he fabricates their semblance; and, if that no longer recalls any object, this artificially produced semblance functions only because it is scrutinized for likeness to a familiar - that is, object-related - semblance.
The idea of salvation through some one or some thing outside of ourselves came from love of inertia. We want God or his Son to save us. We thought that Hapi would give us immortality if we flattered his vanity by praying to him.
The space between the idea of something and its reality is always wide and deep and dark. The longer they are kept apart—idea of thing, reality of thing—the wider the width, the deeper the depth, the thicker and darker the darkness.
You talk of our having an idea; we do not have an idea. The idea has us, and martyrs us, and scourges us, and drives us into the arena to fight and die for it, whether we want to or not.
Whatever sphere of the human mind you may select for your special study, whether it be language, or religion, or mythology, or philosophy, whether it be laws or customs, primitive art or primitive science, everywhere, you have to go to India, whether you like it or not, because some of the most valuable and most instructive materials in the history of man are treasured up in India, and in India only.
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