A Quote by Henry David Thoreau

Steady labor with the hands, which engrosses the attention also, is unquestionably the best method of removing palaver and sentimentality out of one's style, both of speaking and writing.
Something I found while writing 'Alice & Oliver' - a book that is unquestionably a work of fiction, but which also borrows details from my own life - is that writing the truth often requires invention and imagination.
A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time.
Cooking is the best way to unwind at the end of a long writing day. There's something mindless and hands-on about cooking, which makes it feel like the very opposite of writing, which is heady but inactive.
Comics know that they do best. They might not be best to rewrite to another person's comedy, but they know what is best for them. Luckily, I come from both a writing background - with 'Workaholics' - and I also act in what I've written.
Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.
The method of teaching which approaches most nearly to the method of investigation is incomparably the best.
In Speaking Out I do my best to answer those questions I was asked and more, and I provide strategies for how to speak out and keep on speaking out without burning out.
Be fluid. Treat each project differently. Be water, man. The best style is no style. Because styles can be figured out. And when you have no style they can't figure you out.
Relativism is neither a method of fighting, nor a method of creating, for both of these are uncompromising and at times even ruthless; rather, it is a method of cognition.
For my part, I am convinced that the method of teaching which approaches most nearly to the method of investigation is incomparably the best; since, not content with serving up a few barren and lifeless truths, it leads to the stock on which they grew.
We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.
I stand behind what I say. If I don't want it to be out there then I won't say it. I am not out to hurt somebody. I am out to call attention to certain things but I am also out to make people laugh with my delivery and style of bluntness.
Leo Tolstoy's life has been devoted to replacing the method of violence for removing tyranny or securing reform by the method of non­resistance to evil. He would meet hatred expressed in violence by love expressed in self­suffering.
When one is happy there is no time to be fatigued; being happy engrosses the whole attention.
The men that is now is only all palaver and what they can get out of you.
The president said that this is not removing a mole. You know, removing a mole, that's an outpatient sort of an operation. This was removing a cancer, removing a cancer takes more time.
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