A Quote by Henry David Thoreau

The scholar is not apt to make his most familiar experience come gracefully to the aid of his expression. — © Henry David Thoreau
The scholar is not apt to make his most familiar experience come gracefully to the aid of his expression.
The familiar writer is apt to be his own satirist. Out of his own mouth is he judged.
Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.
The Master persistently warned against the attempt to encompass Reality in a concept or a name. A scholar in mysticism once asked, "When you speak of BEING, sir, is it eternal, transcendent being you speak of, or transient, contingent being?" The Master closed his eyes in thought. Then he opened them, put on his most disarming expression, and said, "Yes!"
If we come to sleep we are His drowsy ones And if we come to wake we are in His hands If we come to weeping we are His cloud full of raindrops And if we come to laughing we are His lightning in that moment If we come to anger and battle it is the reflection of His wrath And if we come to peace and pardon it is the reflection of His love Who are we in this complicated world?
The plain man is familiar with blindness and deafness, and knows from his everyday experience that the look of things is influenced by his senses; but it never occurs to him to regard the whole world as the creation of his senses.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
[He] saw that a peculiar expression had come into his nephew's face; an expression a little like that of a young hindu fakir who having settled himself on his first bed of spikes is beginning to wish that he had chosen one of the easier religions.
The good gardener knows with absolute certainty that if he does his part, if he gives the labour, the love, and every aid that his knowledge of his craft, experience of the conditions of his place, and exercise of his personal wit can work together to suggest, that so surely will God give the increase. Then with the honestly-earned success comes the consciousness of encouragement to renewed effort, and, as it were, an echo of the gracious words, 'Well done my good and faithful servant'.
Prayer honors God, acknowledges His being, exalts His power, adores His providence, secures His aid.
An artist must find his expression closely linked to his individual experience or else follow in the old grooves resulting in lifeless forms.
A scholar is a man with his inconvenience, that, when you ask him his opinion of any matter, he must go home and look up his manuscripts to know.
Every man's own character is written so all who will may read it, in the expression of his eyes, the tone of his voice, the posture of his body, the style of his clothes, and the nature of his deeds!
By a man's finger-nails, by his coat-sleeve, by his boots, by his trouser-knees, by the callosities of his forefinger and thumb, by his expression, by his shirt-cuff — By each of these things a man's calling is plainly revealed. That all united should fail to enlighten the competent inquirer in any case is almost inconceivable. You know that a conjurer gets no credit when once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
One of the most notable traits of the Mexican's character is his willingness to contemplate horror: he is even familiar and complacent in his dealings with it.
To come to know your enemy, first you must become his friend, and once you become his friend, all his defences come down. Then you can choose the most fitting method for his demise.
The Mexican...is familiar with death. [He] jokes about it, caresses it, sleeps with it, celebrates it. It is one of his favorite toys and his most steadfast love.
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