A Quote by Henry David Thoreau

Since you are my readers, and I have not been much of a traveler, I will not talk about people a thousand miles off, but come as near home as I can. As the time is short, I will leave out all the flattery, and retain all the criticism.
The weekly cartoons, as were my plays, came from a sense of criticism, criticism of the times, critical of the culture, of our manners and attitudes towards each other. The children's books come from the reverse. They're more supportive, since we're living in a time where we talk more about kids and do less, we talk about balancing the budget and we do it by cutting education.
The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come.
Really the writer doesn't want success. . . . He knows he has a short span of life, that the day will come when he must pass through the wall of oblivion, and he wants to leave a scratch on that wall - Kilroy was here - that somebody a hundred, or a thousand years later will see.
It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.
What mark will I leave behind? How will anyone know I have been here? What sign will tell the future traveler I existed? 'I am here! Today... I exist'. I believe the deepest impression is made in those moments when I can say 'I care, I love'.
I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.
To give one can of beer to a thousand people is not nearly as much fun as to give 1,000 cans of beer to one guy. You give a thousand people a can of beer and each of them will drink it, smack his lips and go back to watching the game. You give 1,000 cans to one guy, and there is always the outside possibility that 50,000 people will talk about it.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
A traveler s thoughts in the night Wander in a thousand miles of dreams.
I'm always very careful to make the distinction between music criticism and music journalism. A lot of people don't. But criticism doesn't require reporting. You can write criticism at home in your underwear. On the other hand, journalism takes legwork - you have to get out there and see things and talk to people.
'Tracks' is based on the book by Robyn Davidson who, in the mid-Seventies, decided to leave the city, go to the outback, learn to train camels and walk across the Australian desert to the ocean: a journey that is about two thousand miles and will take about six or seven months.
In the near future we will not be looking back at the early church with envy because of the great exploits of those days, but all will be saying that He certainly did save His best wine for last. The most glorious times in all of history have not come upon us. You, who have dreamed of one day being able to talk with Peter, John and Paul, are going to be surprised to find that they have all been waiting to talk to you.
When this is over...we will got to the rainforest, or a beach as white as bone. We will eat grapes from the vine, we will swim with sea turtles, we will walk miles on cobblestone streets. We will laugh and talk and confess. We will.
And on that day when my strength is failing; the end draws near and my time has come. Still my soul will sing Your praise unending ten thousand years and then forevermore
And oft I thought (my fancy was-so strong) That I, at last, a resting-place had found: 'Here: will I dwell,' said I,' my whole life long, Roaming the illimitable waters round; Here will I live, of all but heaven disowned. And end my days upon the peaceful flood - To break my dream the vessel reached its bound; And homeless near a thousand homes I stood, And near a thousand tables pined and wanted food.
Karate cannot be adequately learned in a short space of time. Like a torpid bull, regardless of how slowly it moves, it will eventually cover a thousand miles. So too, for one who resolves to study Karate diligently two or three hours every day. After three or four years of unremitting effort one's body will undergo a great transformation revealing the very essence of Karate.
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