A Quote by Henry David Thoreau

Why look in the dark for light? — © Henry David Thoreau
Why look in the dark for light?
Why live in the darkness all your life? Why, if you are unhappy, if you are having a miserable time, why not just look at it? Why are you in the darkness? Look for the light. The light is within.
Why blame the dark for being dark? It is far more helpful to ask why the light isn’t as bright as it could be.
I try to weigh out the dark and the light. They were both very real aspects of my Dad. To me, the good and the healing and the light outweigh the dark so much, and that's why I focus on the good.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Our roots are in the dark; the earth is our country. Why did we look up for blessing -- instead of around, and down? What hope we have lies there. Not in the sky full of orbiting spy-eyes and weaponry, but in the earth we have looked down upon. Not from above, but from below. Not in the light that blinds, but in the dark that nourishes, where human beings grow human souls.
If you're going into a very dark place, then you should take a bright light, and shine it on everything. If you don't want to see, why in God's name would you dare the dark at all?
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
Dark matter is needed to hold galaxies together. Your mind is a Galaxy. More dark than light. But the light makes it worthwhile.
The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
He felt the comfort of being part of an eternal cycle symbolized by the gold strips on either side of the black mourning band he wore. Light, dark, light. The dark was just an interval.
In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire.
There might not be so much of a difference between the side of Light and the side of Dark as you suppose. After all, without the Dark, there is nothing for the light to burn away.
There's always going to be bad stuff out there. But here's the amazing thing -- light trumps darkness, every time. You stick a candle into the dark, but you can't stick the dark into the light.
'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.
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