A Quote by Henry David Thoreau
Our moments of inspiration are not lost though we have no particular poem to show for them; for those experiences have left an indelible impression, and we are ever and anon reminded of them.
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It was one of those strange moments that came to him rarely, but never left. A moment that stamped itself on heart and brain, instantly recallable in every detail, for all of his life. There was no telling what made these moments different from any other, though he knew them when they came. He had seen sights more gruesome and more beautiful by far, and been left with no more than a fleeting muddle of their memory. But these-- the still moments, as he called them to himself-- they came with no warning, to print a random image of the most common things inside his brain, indelible.
For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, a verse, and substitute something of our own, and thus miswrite the poem.
Though our private desires are ever so confused, though our private requests are ever so broken, and though our private groanings are ever so hidden from men, yet God eyes them, records them, and puts them upon the file of heaven, and will one day crown them with glorious answers and returns.
The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them.
Our faith comes in moments . . . yet there is a depth in those brief moments which constrains us to ascribe more reality to them than to all other experiences.
It wasn't the first film to show a kind of alternate vision of suburbia, but it left an indelible impression, I think, on everybody, and all films like that will forever be measured against 'Blue Velvet.'
We each have moments of spiritual power, moments of inspiration and revelation. We must sink them deep into the chambers of our souls. As we do, we prepare our spiritual home storage for moments of personal difficulty.
When you spend time with your friends, what do you talk about? Those things which made an impression on you that day, that week ... I write stories the same way. Events at home, in school, at work, in the street, these are the bases for a story. Some experiences leave such a deep impression that instead of talking about them at the club I work them into a novel.
When I was training, those were some of the most indelible experiences I've ever had, in my life. It is so raw. It is so human. It is so candid.
I don't at all care who's on the right or left or in the center. Even though we use them, even though I use them myself, these expressions have lost all meaning.
Five years from the date of the attack that changed our world, we've come back to remember the valor of those we lost-those who innocently went to work that day and the brave souls who went in after them. We have also come to be ever mindful of the courage of those who grieve for them, and the light that still lives in their hearts.
If you're ever making a television show, don't cast smart actors because they are just a pain in the ass. The moment you start to bullshit them you've lost them, so you have to either know what you're talking about or when you don't talk to them.
Those moments before a poem comes, when the heightened awareness comes over you, and you realize a poem is buried there somewhere, you prepare yourself. I run around, you know, kind of skipping around the house, marvelous elation. It’s as though I could fly.
If criticism has made such discoveries as to necessitate the abandonment of the doctrine of plenary inspiration, it is not enough to say that we are compelled to abandon only a "particular theory of inspiration..." We must go on to say that that "particular theory of inspiration" is the theory of the apostles and of the Lord, and that in abandoning it we are abandoning them.
When kindness has left people, even for a few moments, we become afraid of them as if their reason had left them. When it has left a place where we have always found it, it is like shipwreck; we drop from security into something malevolent and bottomless.
Yet still, there are those special secret moments in our lives, when we smile unexpectedly-when all our forces are resolved. A woman can often see these moments in us, better than a man, better than we ourselves, even. When we know these moments, when we smile, when we are not on guard at all-these are the moments when our most important forces show themselves; whatever it is you are doing at such a moment, hold on to it, repeat it-for that certain smile is the best knowledge that we ever have of what our hidden forces are, and where they lie, and how they can be loosed.
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