A Quote by Henry Edward Armstrong
After all, we scientific workers ... like women, are the victims of fashion: at one time we wear dissociated ions, at another electrons; and we are always loth to don rational clothing; some fixed belief we must have manufactured for us: we are high or low church, of this or that degree of nonconformity, according to the school in which we are brought up-but the agnostic is always rare of us and of late years the critic has been taboo.
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If agricultural land be left uncultivated, in a few years the jungle returns, and signs are not lacking that a similar danger is always lying in wait for the fields of thought, which, by the labour of three hundred years, have been cleared and brought into cultivation by men of science. The destruction of a very small percentage of the population would suffice to annihilate scientific knowledge, and lead us back to almost universal belief in magic, witchcraft and astrology.
High school is when I started to get my sense of fashion together. My queen was Candice Swanepoel, who is a friend of mine now, which is kind of funny, but in high school, I was obsessed. I love her street style: she is always in cool boyfriend jeans, boots, and an awesome coat, which is very much like what I wear.
Men's clothing hasn't changed in 200 years, maybe a lapel gets a little wider or a tie gets narrower from time to time. But it's usually always the same. There is stupidity in men's fashion. But women know who they are. They can change. Clothing is seductive for women. They get different personas by buying new clothes. But men don't.
I just like streetwear. I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion.
I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion. I like more streetwear and baggier stuff.
As both an essayist and science fiction and fantasy novelist, I write about and for the future. I talk about the past to remind us that what we believe has always been true - that men and women are somehow static categories, or that men in power has always been the default, or that same-sex love affairs were always taboo - has not always been thus.
The Synod of Bishops has existed for forty years. In that long span of time it has been for all of us a good school for introducing us to the universal dimension of the Church.
I don't waste a lot of time on profound embarrassment. I have always been somewhat the same person. I can think of maybe particular items of clothing that I think, "Oh God, I used to wear that?" But nothing serious. It's not like for a while I became some sort of goth wannabe. I've always pretty much been me.
Not only does a journey transport us over enormous distances, it also causes us to move a few degrees up or down in the social scale. It displaces us physically and also for better or for worse takes us out of our class context, so that the colour and flavour of certain places cannot be dissociated from the always unexpected social level on which we find ourselves in experiencing them.
Women: I liked the colors of their clothing; the way they walked; the cruelty in some faces; now and then the almost pure beauty in another face, totally and enchantingly female. They had it over us: they planned much better and were better organized. While men were watching professional football or drinking beer or bowling, they, the women, were thinking about us, concentrating, studying, deciding - whether to accept us, discard us, exchange us, kill us or whether simply to leave us. In the end it hardly mattered; no matter what they did, we ended up lonely and insane.
Our family was always together. Whenever Kakaji needed something or wanted to discuss some issue, he would always bring it up with us. Certain things happened that brought us closer.
We signed with Roadrunner because, they almost signed us in '97 or something, and we've been wanting to work with Monty Connor, the guy who signed us, for a long time because he's been a huge fan of us since, I mean, in high school, when I was in high school and he was following our band.
Part of what my work has always been about is to show that the apocalyptic character of the gospel makes the everyday possible. It gives us the time that lets us care for one another as we are ill, helps us care for one another as we experience broken relationships, and helps us take the time to worship God in a world of such violence.
I just wanted to defend football, which is not always easy to do. Those of us who have been in the sport so many years now realise we must protect it and look after it. I was speaking about football, what it means. It is our profession, it has been our lives, and we must take care of it a little.
When you've been brought up in variety, I think timing is always important in your life. If I'm ever late for anything, whether it's personal or business, I always apologise. 'I'm sorry I'm late,' and all that. And if somebody is late meeting me, I expect them to say 'I'm sorry I'm late.' It's just, shall we say, showbiz etiquette of my day.
Everybody's talking about the new democratic world and whether high fashion is relevant. But without high there is no low. I don't like to intellectualize. I've always said fashion is like roast chicken: You don't have to think about it to know it's delicious.
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