A Quote by Henry Edward Manning

A critic knows more than the author he criticizes, or just as much, or at least somewhat less. — © Henry Edward Manning
A critic knows more than the author he criticizes, or just as much, or at least somewhat less.
The most educated person in the world now has to admit-- I shall not say confess-- that he or she knows less and less but at least knows less and less about more and more.
There is one Quality, which has somewhat so heavenly in it; that by so much the more we are possess'd of it, by so much the more we draw nearer to the Great Author of Nature.
love is thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky
Learning to explain phenomena such that one continues to be fascinated by the failure of one's explanations creates a continuing cycle of thinking, that is the crux of intelligence. It isn't that one person knows more than another, then. In as sense, it is important to know less than the next person, or at least to be certain of less, thus enabling more curiosity and less explaining away because one has again encountered a well-known phenomenon. The less you know the more you can find out about, and finding out for oneself is what intelligence is all about.
the labors of the true critic are more essential to the author, even, than to the reader.
We live in a world which is full of misery and ignorance, and the plain duty of each and all of us is to try to make the little corner he can influence somewhat less miserable and somewhat less ignorant than it was before he entered.
Since philosophy now criticizes everything it comes across, a critique of philosophy would be nothing less than a just reprisal.
I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.
You see it in schools all over... the concept that 'I'll be somewhat less than my best in order to make those around me feel more comfortable' is alive and well... I'm very keen that they understand that if they make themselves a little less than they can be, it is a one-way street to mediocrity.
Listen more to the one who criticizes you and less to the one who praises you. Learn from them and do something about it.
I have found that women are not only just as much interested as men are in flying, but apparently have less fear than the men have. At least, more women than men asked to go up with me. And when I took them up, they seemed to enjoy it.
The most noble criticism is that in which the critic is not the antagonist so much as the rival of the author.
That author, however, who has thought more than he has read, read more than he has written, and written more than he has published, if he does not command success, has at least deserved it.
Conservatism is affluent and openhanded, but there is a cunning juggle in riches. I observe that they take somewhat for everythingthey give. I look bigger, but am less; I have more clothes, but am nit so warm; more armor, but less courage; more books, but less wit.
The dilemma of the critic has always been that if he knows enough to speak with authority, he knows too much to speak with detachment.
Saying no”, argues the author Kevin Ashton, “has more creative power than ideas, insights and talent combined. No guards time, the thread from which we weave our creations. The math of time is simple: you have less than you think and need more than you know.
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