A Quote by Henry Fielding

To the composition of novels and romances, nothing is necessary but paper, pens, and ink, with the manual capacity of using them. — © Henry Fielding
To the composition of novels and romances, nothing is necessary but paper, pens, and ink, with the manual capacity of using them.
Take any writer you want in the 19th century: they wrote with quill pens, dipping a piece of goose feather in ink and writing. And yet we read those novels today, and if we're sensitive to them, we respond to them with an immediacy that is stronger than anything written today on a word processor.
I was given some designer colors for ink pens a long time ago and I haven't used them, and I have some handmade paper, and I just have the desire to drip on wet paper. It reminds me of when I was seven years old and had my tonsils out, and one of the first artworks I made was on toilet paper with a colored pencil; it was sort of half paint and half colored pencil. But I got very involved with color and absorption and I think, you know, 78 is a good time to go back to the beginning.
I use a quill pen dipped in India ink. I also like Faber-Castell brush pens and Pigma Micron pens. And I work on Duo-Shade board.
The condemned social order has not been built up on paper and ink, and I don't fancy that a combination of paper and ink will ever put an end to it.
To a theoretical physicist, there is no greater joy than to see that this curious activity we call calculation - the depositing of ink on paper, followed by throwing away the paper and depositing new ink on more paper - can actually tell us something about reality.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
Sure, go ahead, simulate life, using only ink and paper.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
Some minds are made of blotting-paper: you can write nothing on them distinctly. They swallow the ink, and you find a large spot.
I write exclusively using computers. Pens and typewriters can fsck right off - I wrote my first half million words in my teens on a manual typewriter (had to trade it for a new one due to keys snapping from metal fatigue) so I am not a pen or typewriter fetishist.
There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.
I remember I used to go school with guys who couldn't afford notebooks, pens, paper: the necessary tools needed in order to survive in school. It's a lot of kids in Gary who are at a disadvantage without that.
Compliments of congratulation are always kindly taken, and cost nothing but pen, ink and paper. I consider them as draughts upon good breeding, where the exchange is always greatly in favor of the drawer.
I also felt guilty about the three pens I'd stolen, but only for a second. And since there was no convenient way to give them back, I stole a bottle of ink before I left.
I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].
When I’m a teacher, I won’t be using red pens to grade papers. Red pens will forever be associated with criticism and bad grades in my mind. I don’t want this person to get their short story back with harsh red pen marks all over it. Purple is much friendlier.
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