A Quote by Henry George Bohn

Friends are like fiddle strings; they must not be screwed too tight. — © Henry George Bohn
Friends are like fiddle strings; they must not be screwed too tight.
My life is too tight, he wanted to say. My skin is too tight. The walls are too tight.
Critics are like horse-flies which hinder the horses in their plowing of the soil. The horse works, all its muscles drawn tight like the strings on a double-bass, and a fly settles on his flanks and tickles and buzzes. And what does the fly buzz about? It scarcely knows itself; simply because it is restless and wants to proclaim: 'Look, I too am living on the earth. See, I can buzz, too, buzz about anything.'
The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, why fiddle you must, for all your life.
We must face the fact that many today are notoriously careless in their living. This attitude finds its way into the church. We have liberty, we have money, we live in comparative luxury. As a result, discipline has disappeared. What would a violin solo sound like if the strings on the musician's instrument were all hanging loose, not stretched tight, not disciplined?
I like the strings. I always have. Because that's how it feels. But the strings make pain seem more fatal than it is, I think. We're not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me to imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well – but never quite perfectly, you know?
I kick it when I kick it, but I definitely take care of business. I make sure everything is tight, my finances are tight, my family is tight, my friends are perfect.
Lots of the bands [in New Orleans] couldn't read too much music. So they used a fiddle to play the lead - a fiddle player could read - and that was to give them some protection.
I like tight bodies and pretty faces. You bring in Methuselah, if she's got a tight body and a pretty face, that's all right, too.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
Living in Cape Breton, it's really all about fiddle music, so it's not like there were other instruments out there that tempted me and it was like I had to decide which one. It was automatically fiddle, because it's the predominant instrument in Cape Breton Island.
I don't like feeling too tight. Like if you bench too much, you feel like you can't move your arms right.
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
Those who refuse to play second fiddle may wind up playing no fiddle at all.
This is a fantasy fiddle tune. The part you fantasize is the fiddle.
I started playing the guitar when I was 14. I'm not superstitious about guitars, but I do need strings to be old because that's part of my sound, and I don't like steel strings.
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