A Quote by Henry Giroux
We have never seen the isolation of the rich to the degree that we see it now. They're global. They travel all over the world. They're not in any way - it seems to me - committed to any one place. So it's easy for them to say, "We don't see this. We don't see poverty. We don't think it's that bad. We think wealth is really being distributed in ways that are fair."
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For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
To see poor people, their benefits being cut, to see pensions of Americans who have worked like my father, all their lives, and taken away, to see the rich just accumulating more and more wealth. I mean, it seems to me that there has to be a point where you have to say, 'No, this has to stop.'
There are a lot of people that never thought I was going to be the guy that I am now. Now when I see them, it's fun to see how people are. I don't think they're being fake. I think now they just see me from a different eye.
Being able to travel and see the world really makes me appreciate the blessings in my life. There are so many people that will never get a chance to see some of the things that I've seen during my travels. I'll never take that for granted.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
For me, the experience of not living in America was recognizing that I was American. You don't think about yourself being so culturally encoded, so nationally stamped; you don't discover that when you're a tourist for a month. You see how you reflect the place you're from. When I came back from living in Europe, I was very struck by how I didn't see America as the center of the world in the same way. It's very easy to slip back because America is so powerful. But any place you live is the center of the world.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
I used to think my dad and I talked sports because it was just an easy way for two people who didn't know each other that well to make conversation. I see now it's also a way for me to see who my dad really is and, if I'm lucky, see why he made the choices he did.
I assume the president's going to say he got bad intelligence... I think that wherever you see poverty, whether it's in the white rural community or the black urban community, you see that the resources have been sucked up into the war and tax cuts for the rich.
If you ask me, I have not really seen any negative side of this industry. I have not met those kinds of people who can change the way I see this industry and make me feel that it's a bad or a dark place.
I have never used a fairness cream in my life. I don't think being fair is in any way superior to any other colour. And when I started working, I found that being fair has actually backfired for me. I have lost a few films because I'm too fair.
It is easy to romanticize poverty, to see poor people as inherently lacking agency and will. It is easy to strip them of human dignity, to reduce them to objects of pity. This has never been clearer than in the view of Africa from the American media, in which we are shown poverty and conflicts without any context.
Cultural differences - they are definitely vast in some ways. But I think that Europeans in general have a more global view of the world because they are in such proximity to other countries that it enables them to travel and see other parts of the world.
You really see that the art world bends over for Hollywood sometimes, in this way that is really grotesque, and the other way around doesn't happen, which is too bad, especially if you consider yourself an artist, and that's what you care about, to see the people you admire and think about the most acting weird.
People say you have to travel to see the world. Sometimes I think that if you just stay in one place and keep your eyes open, you're going to see just about all that you can handle.
I think there are strands in all of our lives that can be seen if we step back to recognize them. Coincidence is probably as close as I'll get to having spirituality. I do see patterns in my life sometimes, and I am thrilled by what I see. I don't think I'm going to have any further shot at it after death, and I don't think there's anybody upstairs orchestrating it for me, but I do think it happens. If there are miracles in my life, they are rooted in the fact of coincidence.
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