A Quote by Henry Golding

I can manage it if I don't make it in Hollywood. I've got nothing to lose, which is the great thing. There's no pressure. — © Henry Golding
I can manage it if I don't make it in Hollywood. I've got nothing to lose, which is the great thing. There's no pressure.
All managers are under pressure. It's our life, always. It's about how we manage the pressure, the victory, we have to manage everything, even me - the bookmakers put me under pressure every time!
You know what? I never really factor Hollywood into anything. I'm a black actor, so I can't really control what Hollywood thinks. I gotta go do my thing, and my jokes have got to be funny. Whatever I do has got to be great.
For a novelist, the great thing about the Stone Age people is that we know virtually nothing about their beliefs - which means that I get to make it up! But it's still got to be plausible.
There is undoubtedly a lot of pressure that comes with recognition, which can be a good thing and bad thing all at the same time. But if you stay focused and don't lose sight of what you're doing and who you are, you can rise above it.
Jose has managed at some big, big clubs, and at all of those clubs, there is pressure, it comes with the territory. But he has a wonderful way of dealing with that pressure, and when you manage these sorts of clubs, you've got to be used to that.
But life isn't hard to manage when you've nothing to lose.
Adrian Neville should expect absolutely everything out of me. Like I said, he is going to be facing Tyson Kidd at his absolute best. I've got nothing to lose, and there's nothing more dangerous than a guy with nothing to lose.
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.
It's hard to make great art when you've got too much pressure.
It's okay, girl, we'll make it till the sun goes down forever. And until then what you got to lose but the losing? We're fallen angels who didn't believe that nothing means nothing.
We were bemused, I guess, when we got the call from Hollywood. We didn't know anything about the entertainment industry or even what a casting agency was. But I thought, 'What do I have to lose?' It's not every day a great opportunity presents itself.
You got nothing to lose. You don't lose when you lose fake friends.
I have zero pressure, because I have nothing to lose.
It's not difficult to move forward when you have nothing to lose. Right? At the time, I had nothing to lose. So, even when people were trying to degrade me, I couldn't let them take the only thing I had, which was my dream. I had to move forward and, thank God, I kept trying.
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