A Quote by Henry Grunwald
Like other Americans, U.S. journalists have often neglected the study of history; they have much remedial work to do in trying to understand who did what to whom, why and when - and who did it first.
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I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he stole, and from whom. With the artist it is not how much he took and from whom, but what he did with it.
If you're a history buff, you know about J. Edgar Hoover. He was likely the most powerful man in the US. If you start reading about him, the books contradict each other constantly. I was often left with very little sense of the man personally. I had a sense of what he did and didn't do and what people disagreed about whether he did this or didn't do this or that, but I was like, "Why? Why was he doing all of this?" That was my big question.
Life and study have persuaded me of the openness of history. There is no inevitability in history. Thinking about what might have happened, what could have happened, is a necessary element in trying to understand what did happen. And if, as I believe, individual acts of decency and courage make a difference, then they need to be recorded and remembered.
Why did Americans smile so often? Was it out of politeness or because of a gay disposition? Whatever it was, I for one had never been spoiled with smiles. I found it very pleasant! ... I was beginning to understand that with Americans smiling was, as with healthy infants, a natural need. And my reaction was to respond in the same way.
His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he or she stole, and from whom? With the artist it is not how much he or she took from whom, but what the artist did with it.
If you listen to Giuliani, it's like nobody did anything to improve the city except him. I'm not part of the history. Bloomberg's not part of the history. It's like, he did it. He's the only one. That's why he's a little crazy.
My dad wanted me to be a scientist and I was set to study science A-levels. But after the first term I realised it would be much more enjoyable to study English and history, which didn't seem like work - so I switched.
Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning.
I often said that never in the history of the world did one man receive so much faith and trust as Hitler. Similary, no one has ever betrayed so many people and abused so much good faith as he did.
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companies and managers.
Little did the artist know, who neglected his appearance in favor of his work, that the years would produce a breed that spent hours meticulously acquiring a neglected look to appear like an artist.
I am a nationalist, and a Pan-Africanist, first and foremost. I was well grounded in history before ever taking a history course. I did not spend much formal time in school - I had to work.
Americans don't learn about the world; they don't study world history, other than American history in a very one-sided fashion, and they don't study geography.
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