A Quote by Henry Ian Cusick
When I'm acting, I've always got to make it make sense to me why I do anything. Whether it's right or wrong, I've just got to believe this is the reason why I am doing this and just go with it.
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I thrive on the adrenaline of excitement and danger. I just cannot stand boredom on the other side of it. Why am I a person who loves guns? I have no idea. Why do I like to go hunting? I don't know. It doesn't make sense to me. Why does somebody love golf, because that doesn't make sense to me either.
I'm just an entertainer. In a way crime stories are boring. A crime's been committed and at the end you know it will be solved. So you've got to make the story interesting besides it just being a plot. And that's why character matters, why you've got to make the characters interesting.
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
The same reason why we're doing music is the same reason why Motown did: to make the world a better place and to make people happy. The main message is, just have a good time.
I agree, Dad. I was just explaining to the woman why we don’t look anything alike and why you would have been younger than me when I was born. It doesn’t mean I don’t love you ‘cause you know I do. Make one snotty comment in anger when you’re twelve years old going through puberty and getting grounded, and you pay for it for the rest of your life. Parents ain’t got no sense of humor. (Omari)
If the reason why you're doing anything creative is to make a living, then you're doing it wrong
Just watching a girl can give me the best reason to smile. Girls are something very special and you got to treat them that way. That's why I always say don't stare right at a chick. She'll begin to fidget, wondering if her hair's messed up or if her make-up is smeared. It's kind of like going to an art gallery to see beautiful paintings. If you look at a painting just the right way, you get the most out of it!
CALVIN: This whole Santa Claus thing just doesn't make sense. Why all the secrecy? Why all the mystery? If the guy exists why doesn't he ever show himself and prove it? And if he doesn't exist what's the meaning of all this? HOBBES: I dunno. Isn't this a religious holiday? CALVIN: Yeah, but actually, I've got the same questions about God.
Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.
I've always felt that acting is acting at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.
I've always felt that acting is acting, at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.
I think when you wear the brand anyway, why not go out and try to promote it and make it as cool as you can? The fact that I can continue to do what I've always done and kind of become the face of that brand is to me, kind of just makes sense. It doesn't make sense not to do it I guess.
You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
I always say to people when I'm trying to get something going, bringing on other producers or other directors, "You can think of 95 reasons why not to make a movie. You've got to address why you want to make the movie and get it done. Just do it." I tend to live by that rule.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
Just because a baby cries, I discovered, doesn't mean there's always something wrong. Sometimes babies wake up for no real reason. They just want to check if they're doing it right. "This is Sleeping, right?" "Exactly." "I just lie here?" "That's right." "Okay." Then back to sleep they go.
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