A Quote by Henry Ian Cusick

'Not Another Happy Ending' is a romantic comedy starring Karen Gillan and Stanley Weber. It is about these two characters and their relationships. — © Henry Ian Cusick
'Not Another Happy Ending' is a romantic comedy starring Karen Gillan and Stanley Weber. It is about these two characters and their relationships.
A comedy isn’t about being funny...a comedy is about characters who dare to know that they may choose a happy ending after all.
What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
Internationally and in foreign markets, movies starring women don't make as much money as movies starring men. And then you can blame filmmakers, especially in comedy, which is my bread and butter, because it's become a bit of a boys' club over the years. With the boys in charge you get these takes on women which are either the girlfriend or the mean wife or the girl who appears in a romantic comedy. You're just getting either men's fantasies about women or what they think is the reality about women instead of men just having a healthy attitude about women.
'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.
I think of myself as a character actress, and Karen's just one of the characters I've gotten to play, but I feel like Karen takes on so much more weight because the show was on for eight seasons, and it was such a popular show. But you have to move on to telling another story in a different world.
That's what's interesting about people. It can be funny, but when [John] Travolta got there and did [comic moments] you're like, "Oh! This is really funny." Or when Karen [Gillan] and Taissa [Farmiga] do something, I'm like, "This came out so much funnier."
I love romantic comedy, but I think you have to have another idea that you're chasing along with romantic comedy.
I'm sorry, but I can't make a movie with the blonde from 'ER' who is starring in every single bad romantic comedy.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like Roman Holiday or My Fair Lady.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like 'Roman Holiday' or 'My Fair Lady.'
'When Katie Met Cassidy' is a romantic comedy about two very different women who find themselves uncontrollably drawn to one another. Issues of gender and sexuality play their part in the novel, but first and foremost, it's a fun, fast-paced love story.
A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
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