A Quote by Henry James
She had an unequalled gift, especially pen in hand, of squeezing big mistakes into small opportunities.
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She looked at her hand: Just some hand, holding a cheap pen. Some girls’ hand. She had nothing to do with that hand. Let that hand do whatever it wanted to.
My mother helped me to get past that. She was always there for me, until she dies. I remember she told me once, about big hearts and small hearts, and that not everyone could be blessed with a big one that had room to care for a lot of people. She promised me that mine was big, and that I was the lucky one for it.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
Even at the age of eight she would fall asleep by pressing one hand into the other and making believe she was holding the hand of the man whom she loved, the man of her life. So if in her sleep she pressed Tomas hand with such tenacity, we can understand why: she had been training since childhood.
Don't try to make a big bluff on the turn with a drawing hand. With only one card to come, even a big draw is an underdog against a made hand. Keep the betting small.
Last night I woke up with someone squeezing my hand. It was my other hand.
A woman gets stretch marks from one of two things. Either she was big and got small or she was small and got big.
Well, on lots of small things we could have done better, but on all the big things we called it right. You should make less mistakes as you get older, and I became a councillor back in 1971, so if by this stage in politics I'm making lots of big mistakes, then I shouldn't be here.
Aside from the obvious, Francesca, what do you want in return for supplying information?” Bones asked, getting back to the subject. “You to take me,” she replied at once. “Not gonna happen!” I spat, squeezing him possessively. Three sets of widened eyes fixed on me. That’s when I realized that what I had a firm grip on was no longer his hand.
For me it's just so exciting to have a daughter because I do think she will have even more opportunities than I had, and I had more opportunities than certainly my grandmother had. It's the arc of history, always bending toward justice and opportunity, and she will be part of that.
Here's a guy [Richard Nixon] who had no gift for small talk, never liked to be around strangers, was physically awkward, and he goes into the one business that calls for ease with strangers and a gift for small talk.
She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)
She was alive, and they were dead. She had to try to make her life big. As big as she could. She promised Bailey she would keep playing.
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
Because I was very big and she was very small, my mother had a horrible birth when I was born. So she always said: 'I'm never having any more kids!'
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
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