A Quote by Henry James
The critical sense is so far from frequent that it is absolutely rare, and the possession of the cluster of qualities that minister to it is one of the highest distinctions... In this light one sees the critic as the real helper of the artist, a torchbearing outrider, the interpreter, the brother... Just in proportion as he is sentient and restless, just in proportion as he reacts and reciprocates and penetrates, is the critic a valuable instrument.
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Paradoxically, the simpler poetry is, the more difficult it becomes for a critic to discuss intelligently. Trained to explicate, the critic often loses the ability to evaluate literature outside the critical act. A work is good only in proportion to the richness and complexity of interpretations it provokes.
There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.
Marlee [Matlin] is who she is and just happens to use an interpreter. I'm not a teacher. I'm not a helper. I'm just Jack, the interpreter guy.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
Life's very difficult and full of surprises. At all events, I've got as far as that. To be humble and kind, to go straight ahead, to love people rather than pity them, to remember the submerged - well, one can't do all these things at once, worse luck, because they're so contradictory. It's then that proportion comes in - to live by proportion. Don't begin with proportion. Only prigs do that. Let proportion come in as a last resource, when the better things have failed.
A critic has no right to the narrowness which is the frequent prerogative of the creative artist.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
During the 1960s, one neighborhood in San Francisco had the lowest income, the highest unemployment rate, the highest proportion of families with incomes under four thousand dollars a year, the least educational attainment, the highest tuberculosis rate, and the highest proportion of substandard housing ... That neighborhood was called Chinatown. Yet, in 1965, there were only five persons of Chinese ancestry committed to prison in the entire state of California.
I'm my own worst critic and harshest critic and I just want to put honest music out there.
Thus far I have explained the phenomena of the heavens and of our sea by the force of gravity, but I have not yet assigned a cause to gravity. Indeed, this force arises from some cause that penetrates as far as the centers of the sun and planets without any diminution of its power to act, and that acts not in proportion to the quantity of the surfaces of the particles on which it acts (as mechanical causes are wont to do) but in proportion to the quantity of solid matter, and whose action is extended everywhere to immense distances, always decreasing as the squares of the distances.
Everybody wants to be a critic: a critic without the actual accolades to be a critic.
There is no long interval between the sense of thirst and the trickling of the stream over the parched lip; but ever it is flowing, flowing past us, and the desire is but the opening of the lips to receive the limpid, and life-giving waters. No one ever desired the grace of God, really and truly desired it, but just in proportion as he desired it, he got it; just in proportion as he thirsted, he was satisfied.
I just kind of shoot the finger to the critics. I don't give sh - what a critic says. To me a critic is some loser who has no idea... someone with an opinion. We all have opinions.
The overwhelming majority of Americans are possessed of two great qualities a sense of humor and a sense of proportion.
Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
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