A Quote by Henry James

If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
Ambition's monstrous stomach does increase By eating, and it fears to starve, unless It still may feed, and all it sees devour; Ambition is not tir'd with toll nor cloy'd with power.
Just what part does the State play in production to warrant its rake-off? The State does not give; it merely takes.
Not only does the proportion of the poor increase with the growth of the city, but their condition becomes more wretched.
To be born, to live and to die is merely to change forms... And what does one form matter any more than another?... Each form has its own sort of happiness and unhappiness. From the elephant down to the flea... from the flea down to the sensitive and living molecule which is the origin of all, there is not a speck in the whole of nature that does not feel pain or pleasure.
A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter.
A man's intelligence does not increase as he acquires power. What does increase is the difficulty of telling him so.
Get yourself in that intense state of being next to madness. Keep yourself in, not necessarily a frenzied state, but in a state of great intensity. The kind of state you would be in before going to bed with your partner. That heightened state when you're in a carnal embrace: time stops and nothing else matters. You should always write with an erection. Even if you're a woman.
Banks are so protected from liability they would have to really do something that was their mistake in order for them to be liable for it. Banks don't look at signatures. They're processing millions of checks and they have very little liability.
After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Slavery is no scholar, no improver; it does not love the whistle of the railroad; it does not love the newspaper, the mailbag, a college, a book or a preacher who has the absurd whim of saying what he thinks; it does not increase the white population; it does not improve the soil; everything goes to decay.
As Christians, we must see that just because an artist-even a great artist-portrays a worldview in writing or on canvas, it does not mean that we should automatically accept that worldview. Good art heightens the impact of that worldview, but it does not make it true.
I'm not God, but I'm working within my own means as an artist and a person, and I possibly have more power than God does, in whatever form he has, if he exists, because I can work without the overarching ambition of wanting to rule over everything. I can work just for the heck of it.
This longing for knowledge makes the real artist brave. He never adheres to the first image that appears to him, because he knows that this is not necessarily the richest and more correct. He sacrifices one images for another more intense and expressive, and he does this repeatedly until new and unknown visions strike him with their revealing spell.
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