A Quote by Henry L. Stimson

We think it will be shortly afterwards, but it seems a terrible thing to gamble with such big stakes in diplomacy without having your master card in your hand. — © Henry L. Stimson
We think it will be shortly afterwards, but it seems a terrible thing to gamble with such big stakes in diplomacy without having your master card in your hand.
Learn to draw. Try to make your hand so unconsciously adept that it will put down what you feel without your having to think of your hands. Then you can think of the thing before you.
the real stakes in the theater are high - they are life stakes. That's what I love about it. You gamble with your life, and that's a gamble worth taking.
It was a very big gamble. I lost my job in France, I received a job in which was extremely uncertain, how long would IBM be interested in research, but the gamble was taken and very shortly afterwards, I had this extraordinary fortune of stopping at Harvard to do a lecture and learning about the price variation in just the right way.
High stakes, low stakes, poor or rich - people will find a way to gamble.
Without opening your door, you can open your heart to the world. Without looking out your window, you can see the essence of the Tao. The more you know, the less you understand. The Master arrives without leaving, sees the light without looking, achieves without doing a thing.
The rules - I think that's one big thing that people seem to get caught up in is that I have to know all the rules... But, one thing you have to consider as a new Dungeon Master is you do not have to know the rules like the back of your hand.
The art of life is to show your hand. There is no diplomacy like candor. You may lose by it now and then, but it will be a loss well gained if you do. Nothing is so boring as having to keep up a deception.
People are irrational. What I want to do is let's take the irrational aspects out of it and let's just break this down. And you and I, let's go and see if we can't master this thing, a few steps at a time without giving up your day job, without having to give up your whole life.
The terrible thing, the almost impossible thing, is the hand over your whole self--all your wishes and precautions--to Christ.
Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own.
There are drawbacks in being famous too, but you can live with those. They're not life-threatening. If the paparazzi are outside your restaurant or your house - and actors make such a big thing of it and scurry into cars and drape things - you think they're going to be crucified or something. It's not a big deal. You can get used to that. It's not so terrible.
he card companies will often, as a courtesy, honor that credit card, but hit you with a penalty. And you keep swiping your card for $3 at Starbucks for your latté, and you're getting hit with a $25 penalty because it's over your credit limit.
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
I worry that every time I lay down my credit card of choice, it says something about me. About my social standing or how I see myself. The very colour of your card is an indication of where you stand in the wealth stakes.
I think when I started to write The Mysterious Benedict Society that I had that kind of thing in mind - the notion of having to be able to solve puzzles and riddles because enormous stakes rode upon your ability to do that.
If you call one thing good, you must call its opposite bad. If you think it wonderful to make a big profit in your business, you will also think it terrible if you incur a large loss. The idea is to live above the opposites.
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