A Quote by Henry Lloyd-Hughes
I suppose it's really satisfying to play someone with secrets. It's really satisfying to decide how and when those things are going to start being revealed, and how subtle to be.
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People always ask, "How do you get in the mind of the teen reader?" I think all human beings have these common threads. We struggle with the same things. We desire love and attachment. We have to sort out how much we want to be attached and be independent, how we manage need and being needed and being hurt. These are things that begin when we're - how old? Then in those teen years we start to really feel them.
To be at the point in which I am playing characters that make such a difference to people and that really tell interesting and important stories, it took getting here to realize how important it is and how satisfying it is.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
There comes a point in your life when you realize how quickly time goes by, and how quickly it has gone. Then it really speeds up exponentially. With that, I think you start to put a lot of things into context; you start to see how huge the world is, and really, the universe.
A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.
Being nervous, first of all, puts you at a distinct disadvantage, and if you've really prepared and if you've really thought through how to start the conversation, things start to fall into place. There are other things I get nervous about, but not that.
I'm really interested in trying to learn how to play the guitar since I've got two of them! I can kind of mess around on the piano, but I'm going to start learning how to play the guitar.
Big stuff and little: learning how to order breakfast in a country where I don't speak the language and haven't been before - that's really satisfying to me. I like that.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things.
Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.
If your going to have delusions, you might as well go for the really satisfying ones.
I've never loved a character as much as I do Niska. The way she's been written is so complex, with huge amounts of light and dark. It's a really satisfying challenge to play someone who is superhuman in their intelligence and physical ability but completely naive when it comes to certain aspects of life.
I have found so much joy and so much pride in contributing and being a team member, and then stepping back and watching someone else get the applause. That has been really satisfying in a way that I wouldn't have probably imagined.
It's all good being there for people when things are going well and smoothly but what really comes through is how you operate with someone when they need you the most.
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