A Quote by Henry Louis Gates
My earliest childhood memory is of my father going crazy when the Giants won the World Series in 1954. He started whoopin' and hollerin' and jumpin' up and down all around the living room. I started crying because he scared me to death.
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I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.
When they moved me to Raw away from Finlay I was so scared because that was all I had. They said I was going to manage Sheamus, but that never happened, and it's like, ok, now what. Thank God the Chavo feud started, and then the DX stuff, then it was off to the races again. It was great, but scared me to death.
I think I enjoy my job more now than I did when I started. When I started in 1996 on a national level, I was 27 and part of me was scared to death.
I was this kid, and I was scared to death of all these pros around me... My head would shake, and my hands would shake, and I discovered if I kept my head down and looked up, my head would not shake, so I started to do that when I could, when it was appropriate in a scene.
I don't have any conscious memory of wanting to be an actor, but early on, there was something in my makeup that I felt comfortable with. Then when I was around five or six, I started going to the movies and gradually it dawned on me that I was like one of those people on the screen. And that was it. There was never any question or doubt about what I was going to do for a living.
I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.
When I'm lost in the rain, In your eyes I know I'll find the light to light my way And when I'm scared, losing ground When my world is going crazy You can turn it all around and when I'm down you're there Pushing me to the top You're always there, giving me all you've got
I've got to sing for Pops; I've got to keep my father's legacy alive because he started all of this. So I started calling people, and nobody would give me a chance, but I didn't let that stop me. I took money out the bank and I started making me a record, and I did it in this guy's basement.
I walked out of the theater and started crying. My wife asked me, 'Why are you crying?' I said, 'Because I can't do that.' I didn't know how he did it. I've never seen anything like that. It's like this feat, this Rodin sculpture to me. It's like hearing an opera singer and the tears go down your face because it's not human what they're doing. It's like sounds of heaven.
If you see me when I first burst onto the scene, you see how quickly I could turn for a big lad and how fast I was up and down the pitch. Then I started picking and choosing my time to go forwards because I was scared of my hamstring going or my knee not dealing with it.
As my father started ascending in the business, people around me started to treat me different. Our lives changed. So that anxiety, that sort of resentment, I just funneled it through football.
I would see b-boys breakdancing in the hallway, I thought it was cool. I started practicing in my living room, then started battling, and then I joined a crew, and we started getting into competitions. In fact, we still battle - for fun now.
When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series.
My earliest influences would definitely be my father, just seeing him play in different bands and going to his shows and going to the rehearsals. You know what I'm saying, it was the typical story of a son looking up to his dad. So the years that my father was around, my father was my biggest influence.
One of my earliest lessons in guilt was imparted in childhood through the story of the death of Mahatma Gandhi's father.
My childhood was bad. No father. Mother was greedy and brought me up awful - never made me breakfast once. I don't want to get started. One story is worse than another.
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