A Quote by Henry Mancini

I don't like to surprise anyone with the music I compose for a film. That way, there is less trouble later on. — © Henry Mancini
I don't like to surprise anyone with the music I compose for a film. That way, there is less trouble later on.
Normally, when people compose for film, you give them the film, and they look at it, and they compose it.
I like to compose, but only for myself. I write my own lyrics and compose the music around them.
The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
In terms of the music, it feels almost like trouble's a good thing - you never know when a song is going to surprise you. We look for these subversive moments in songs.
Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.
I would love to compose more fantasy music, whether it's for a film or a game. That genre has so much opportunity for harmonic experimentation, not to mention all the interesting instruments that become available when composing music for alien species and other worlds.
You have to smile after making trouble. This way you get in less trouble.
I like to surprise the listener a little bit and also surprise myself when I write the music.
I am songwriter. I do compose the music of songs that I write in Bengali. But I've never thought of composing for a film. That's a different art altogether.
And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
I did psychology at university, but I wouldn't say that my music is too influenced by it. The way I make music is a little more to do with an emotional connection. When I compose the melodies for my tracks, it always comes from the heart.
Acting in film, you know, I hear all the time, people say 'You did so much better than I thought you would.' So there's an added element of surprise in film, different than in music.
I'd say for a film composer, 'Star Wars' is kind of like the holy grail of film music. It's probably the best film music ever written.
Classical music, fortunately or not, unfolds in time. It's not like a picture you can stare at for 10 seconds or 10 hours. You need the minimum amount of education and training, and society needs to find a way to study music - not only the performances, but how to compose, how to understand why Mozart was great at what he did.
I studied music at school and played the recorder. Later in life music was a great way of supplementing my income because I was paid really badly as a young chef. Luckily an old friend - we did music at school together - and I formed a duo, The Calypso Beat, which later became the Calypso Twins.
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