A Quote by Henry Mancini

I equate composing with orchestrating. I think my music in terms of an orchestra. — © Henry Mancini
I equate composing with orchestrating. I think my music in terms of an orchestra.
I would love to work with Joanna Newsom on a ballet. I think that would be amazing. She has a gift for orchestrating and composing, and I think she would be really engaging to work with.
I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
Let me say that I've never thought to conduct because the conductor has to think to the music before the orchestra. And the orchestra comes later. For me, it's terrible.
I never shied away from a challenge and I love doing big, epic films. They're interesting to me just on a pure music level, just in terms of the amount of music I could create for a symphony orchestra and chorus.
I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
I sang 'O Holy Night' with the Vatican orchestra, but also a Blake - a lullaby that William Blake wrote for the Christ child, and I set it to music, and the Vatican orchestra played the music.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
I love orchestrating music and conducting and being on Broadway.
In western classical music with an orchestra, you focus the orchestra on melodies and harmony. In African music, the biggest focus is on rhythms and counter-rhythms - the complexity of rhythms.
The most immediately gratifying thing about my work is conducting a large orchestra. But the long range payoff is composing because you've written something and it's there forever.
I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.
I thought there couldn't be a better backdrop for some kind of powerful music than a big orchestra. My wish to hear how a guitar would sound in front of an orchestra has always been there.
I never thought that I would write orchestra music, but in fact I did write a group of orchestra pieces.
This site uses cookies to ensure you get the best experience. More info...
Got it!