A Quote by Henry Markram

Think of a forest, then imagine taking 10,000 trees and squeezing them together until there is essentially no space between them. That's what the neocortical column looks like.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.
If you take 10,000 chimpanzees and cram them together into Wembley Stadium or the Houses of Parliament, you will get chaos. But if you take 10,000 people who have never met before, they can co-operate and create amazing things.
Hillary Clinton talks about taking them [ISIS] out. She's been doing it a long time. She's been trying to take them out for a long time. But they wouldn't have even been formed if they left some troops behind, like 10,000 or maybe something more than that. And then you wouldn't have had them.
A political country is like an American forest; you have only to cut down the old trees, and immediately new trees come up to replace them.
I just think it's difficult for them to see the forest for the trees right now, which I can't blame them for, given the circumstances they found themselves in.
If you're immortal, you can imagine being sad or grieving if a lover leaves you. But if everyone were immortal, then that leaving isn't necessarily forever. There's always a chance that you get them back somewhere down the road - you know, in 5, 10, 20,000 years. So I think that the urgency of the moment gets sapped.
Sometimes I talk to religious people about my column or what I do, and I ask them to, you know, read 20 or 30 of them and then come tell me that the message at the heart of every column isn't, 'Do unto others as you would have them do unto you.' In every possible sense.
I still use a lot of cut-ups, I physically cut-up pieces of paper and stick them all together on another piece of paper then I'll think, "Ah, that looks good," or shuffle them around a bit and then I'll photocopy it and then that's my lyrics.
I have planted over 6,000 trees at home in Scotland, some of them oak. I'd like my children to be able to watch them grow.
You know, they say you can reduce genius to someone who spent 10,000 hours trying to get good at something. I'm not claiming either one of those. I haven't done anything for 10,000 hours but sleep. But you do stuff enough, you get better at it. Usually it's a simple thing like that. Essentially, a brainless endeavor.
I don't like my hockey sticks touching other sticks, and I don't like them crossing one another, and I kind of have them hidden in the corner. I put baby powder on the ends. I think it's essentially a matter of taking care of what takes care of you.
If your role is to mentor somebody, what you're essentially doing is taking stock of what you've learned, the mistakes you've made, the successes you've had, and you kind of coalesce them and then you translate them back out.
Books are living things and their task lies in their vows of silence. You touch them as they quiver with a divine pleasure. You read them and they fall asleep to happy dreams for the next 10 years. If you do them the favor of understanding them, of taking in their portions of grief and wisdom, then they settle down in contented residence in your heart.
I'm a mash-up of everyone. My influences would be Michael Jackson, Brandy, Aaliyah - those types of people. So if you can imagine them - and with me taking them, and then putting my own twist and the influence on it - that's musically what I would sound like.
The air in a man's lungs 10,000,000,000, 000,000,000,000 atoms, so that sooner or later every one of us breathes an atom that has been breathed before by anyone you can think of who has ever lived - Michelangelo or George Washington or Moses.
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