A Quote by Henry Miller

If the poet can no longer speak for society, but only for himself, then we are at the last ditch. — © Henry Miller
If the poet can no longer speak for society, but only for himself, then we are at the last ditch.
The last time I drank, I drove into a ditch, which doesn't sound like that big of a deal, but I stopped at the ditch, looked left and right, then drove into the ditch.
It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.
Every man is responsible for defending every woman and every child. When the male no longer takes this role, when he no longer has the courage or feels the moral responsibility, then that society will no longer be a society where honor and virtue are esteemed. Laws and government cannot replace this personal caring and commitment. In the absence of the Warrior protector, the only way that a government can protect a society is to remove the freedom of the people. And the sons and daughters of lions become sheep.
What is it with folks always talking about where they're from? You could grow up in a muddy ditch, but if it's your muddy ditch, then it's gotta be the swellest muddy ditch ever.
The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater.
I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he's written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading.
It can no longer be maintained that the properties of any one thing in the universe are independent of the existence or non-existence of everything else. It is, at last, no longer sensible to speak of a universe with only one thing in it.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
The poet makes himself a voyant through a long, immense reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons, to keep only their quintessences.
When I was a kid, mostly I played in a ditch that didn't have much water in it. It was for drainage purposes. There was not a lot trouble to get into in that ditch. It was ditch activities like catching crawdads and minnows.
Digging a ditch where madness gives a bit Digging a ditch where silence lives Digging a ditch for when I'm old Digging this ditch my story's told Where all these troubles weigh down on me will rise ..... Where all these questions spinning round my head will die
The reason a poet is a poet is to write poems, not to advertise himself as a poet.
Man makes himself, and he only makes himself completely in proportion as he desacrilizes himself and the world. The sacred is the prime obstacle to his freedom. He will become himself only when he is totally demysticized. He will not be truly free until he has killed the last god.
Women speak because they wish to speak, whereas a man speaks only when driven to speak by something outside himself like, for instance, he can't find any clean socks.
When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.
?"Does all the beauty of the world stop when you die?" "No," said the Old Oak; "it will last much longer - longer than I can even think of." "Well, then," said the little May-fly, "we have the same time to live; only we reckon differently.
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