A Quote by Henry Miller

We should not stop to reflect, compare, analyze, possess, but flow on and through, endlessly, like music. — © Henry Miller
We should not stop to reflect, compare, analyze, possess, but flow on and through, endlessly, like music.
What we should in fact do, is stop allowing philosophers to reflect 'on' things. The philosopher creates, he doesn't reflect.
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
Our job is to get out of the way of ourselves and let the art flow through us. We need to stop trying, stop doing, start allowing. We have no clue what we can be when you stop forcing and start being.
I compare Stephen Sondheim with humor, because humor is unanalyzable. You can't analyze humor. You just have to get through it.
The world is filled with people who are no longer needed. And who try to make slaves of all of us. And they have their music and we have ours. Theirs, the wasted songs of a superstitious nightmare. And without their music and ideological miscarriages to compare our songs of freedom to, we'd not have any opposite to compare music with - - and like the drifting wind, hitting against no obstacle, we'd never know its speed, its power.
Jealousy endlessly eats through my mind, and jealously endlessly makes me be unkind.
I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
When you move like a jellyfish rhyth don't mean nothing. You go with the flow, you don't stop. Move like a jellyfish, rhythm means nothing.You go with the flow you don't stop.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Blake Edwards has set up an extraordinary combination of moods in 'Peter Gunn.' When you stop to analyze it, you can't find the boundaries where the music stops and the show takes over.
When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
We should learn and reflect to the best of our capacity, but when we reach a point where we are unable to make sense of life, we should supplant faith for understanding, and reflect again on what we do know.
My life is my music, so how can I stop? I put 100 percent into my career. I keep this flow going, and that's important.
In order to handle rejection, we have to reflect on the past, analyze/study it. Next, just like a computer, we have to reboot. Next, get it out of our system by rejecting every aspect of it.
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