A Quote by Henry Miller
There was another thing I heartily disbelieved in - work. Work, it seemed to me even at the threshold of life, is an activity reserved for the dullard. It is the very opposite of creation, which is play… The part of me which was given up to work, which enabled my wife and child to live in the manner which they unthinkingly demanded, this part of me which kept the wheel turning - a completely fatuous, ego-centric notion! - was the least part of me. I gave nothing to the world in fulfilling the function of breadwinner; the world exacted its tribute of me, that was all.
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My accident was the result of incredible fate, with me spinning in a place I shouldn't have, with a car coming at a speed it shouldn't have, and hitting me with the sharpest and strongest thing that it has, which is the nose, in the most vulnerable part of the car, which is between the side part and the front wheel.
Age has given me the gift of me; it just gave me what I was always longing for, which was to get to be the woman I've already dreamt of being. Which is somebody who can do rest and do hard
work and be a really constant companion, a constant, tender-hearted wife to myself.
Age has given me the gift of me; it just gave me what I was always longing for, which was to get to be the woman I've already dreamt of being. Which is somebody who can do rest and do hard work and be a really constant companion, a constant, tender-hearted wife to myself.
For me, each journey to Romania is also a journey into another time, in which I never knew which events in my life were coincidence and which were staged. This is why I have, in every public statement I have made, demanded access to the secret files kept on me which, under various pretexts, have invariably been denied me.
A composer like me finds it impossible to work with today's producers. They want to tell you exactly how to compose, which notes to play, which rhythms to put in which part of the song.
I discuss everything with Tanushree no matter which part of the world she is in. She is the reason I make good decisions. She advises me to concentrate and work hard. She keeps telling me that she is proud of me - that makes me content with my work.
That is what I seek, to essay interesting and challenging characters, which develop me as an actor and at a personal level to work with people who inspire me to push my boundaries and work on interesting scripts which which turn into refined work of art and leave a mark on me and the audience.
I actually found 'We're the Millers' one of the toughest, if I'm honest, least fun experiences of my life, which is weird. It was such a huge opportunity for me to work with the people I worked with and I feel grateful to be a part of that, but it kind of messed me up.
I could call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child's play, ugly monotonous child's play.
In my work, the information is the least important part. It's there, and the work wouldn't mean the same thing without it, but it isn't structured around the information. The most interesting part to me is the visual play... looking at this little universe of representation that I can make out of the world.
Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work."
The return from your work must be the satisfaction which that work brings you and the world's need of that work. With this, life is heaven, or as near heaven as you can get. Without this - with work which you despise, which bores you, and which the world does not need - this life is hell.
I used to watch a lot of American and British television as a child, which helped teach me the language and accents; it was partly that which landed me the part of Roxy in a London production of 'Chicago' when I was 25.
I'm an amalgamation of what I've needed to be. Part scholar, part rebel, part nobleman, part Mistborn, and part soldier. Sometimes I don't even know myself. I had a devil of a time getting all those pieces to work together. And, just when I'm starting to get it figured out, the world up and ends on me.
It is alone that part of the external universe which we call material which acts on man through his senses - that part of which we ordinarily feel our knowledge to be the surest; but in reality, strangely enough, as will soon appear, this is one of the aspects of the external world, of which we can know nothing.
Ignorance and greed are part of the evolutionary process, which is just to say that mistakes are part of learning. There is nothing bad about behaviors or perceptions that do not work; they simply have to be given up and replaced by behaviors or perceptions that do work.
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