A Quote by Henry Miller
The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.
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You get a kind of surreal feeling and also it allows you to focus on the things we want you to focus on in a new way - the stuff that's very small and mundane that happens in a person's life when they're in a hotel room. There's more interest because you're seeing a puppet do things that you're very familiar with that you might not notice if it was a human doing it.
I was stupid when I started: the epitome of bright-eyed and bushy-tailed. It was like, 'I get to live in L.A. and drive around in limos? Really?' I didn't realize I was owned. The more money gets pumped into you, the more you become a marionette. It made me a true redneck in attitude: I never wanted to wake up ever again feeling owned.
I think I'm probably going to have more luck on tour, on the road, than I am at home, because as hectic as traveling can be, I have a little bit more control, for life situations out there on the road. It's the one aspect of my life I feel like I do have some control of. I can wake up in my hotel room, I'm alone and I can ease into the day and do what I need to do. It's not like I've got to get up and drive the kids to school, feed the dog, get to the gym, go to practice, go pay a bill, you know what I mean?
Audiences are very sophisticated and they know the nuts and bolts of the genre - certainly with horror more than others I think. But they attract lots of people, they're much derided as a genre but people go and see them and they're not all dumb. There's some very clever horror films. Stephen King gets a lot of flack for not being a proper writer because he's a horror writer, but I think he writes some brilliant books. I think it's wrong to just bin it before looking at it.
Money. . . those who don't have enough of it are only aware of what it can buy them. When you finally have enough of it you become aware- acutely aware-of all the things it can't buy ... the really important things, like youth, health, love, peace of mind.
You can become very reclusive in Hollywood. This gave us permission to be able to open up and be intimate with somebody that you might not normally be kind of brave enough or confident enough to do so with.
Let the things that happen on the stage be just as complex and yet just as simple as they are in life. For instance, people are having a meal, just having a meal, but at the same time their happiness is being created, or their lives are being smashed up.
Rich people, they stay out of jail not just because they have more money but because they grew up in a culture where they're educated by people to say, "I don't have to talk to the cops. If I get arrested, I'm not going to say a word to them. I'm just going to wait until my family lawyer gets here".
Each religion has got their own way of making you feel like a victim. The Christians say "you are a sinner", and you better just zip up your trousers and give the money to the pope and we'll give you a room up in the hotel in the sky.
Each of us, with money, gets further and further away from those moments where the hand pulls the beet root from the soil, shakes the fish from the net into the basket -- not to mention the way it separates us from one another, so that when enough money comes between people, they lie apart like parts of a chicken hacked up for stewing.
I realize that I want something more. Success is great, but then you also wake up in your hotel room at four in the morning and you're like, wouldn't it be nice to have someone here with me.
I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.
I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
It is not enough simply to wish that love and compassion should increase in us. We need to make a sustained effort, again and again, to cultivate the positive aspects within us - and the key here is constant familiarity. The nature of human thoughts and emotions is such that the more you engage in them, the more you consciously develop them, the more powerful they become.
Horror can be contained within a book, given form and meaning. But in life, horror has no more form than it does meaning. Horror just is.
We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.
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