A Quote by Henry Miller

Life's wildest moment---she kneels on the sidewalk. Everything else she does is lies, lies. — © Henry Miller
Life's wildest moment---she kneels on the sidewalk. Everything else she does is lies, lies.
Every photograph is a fiction with pretensions to truth. Despite everything that we have been inculcated, all that we believe, photography always lies; it lies instinctively, lies because its nature does not allow it to do anything else.
Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
My wife never lies about her age. She just tells everyone she's as old as I am. Then she lies about my age.
She can kill with a smile. She can wound with her eyes. She can ruin your faith with her casual lies. And she only reveals what she wants you to see. She hides like a child, but she's always a woman to me.
I play, in real life, Kim, who is actually Marshall Mathers ex-wife as of now. She lies and says she is pregnant because she really wants to keep him and he figures her out.
They are longing for a war with Iran. Iran is no more a harm to us than was Iraq or Afghanistan. They invented an enemy, they tell lies, lies, lies. The New York Times goes along with their lies, lies, lies. And they don't stop. When the public that's lied to 30 times a day it's apt to believe the lies, is not it?
We have got nowadays so that we divide lies into white lies and black lies, society lies and business lies, etc. The Word of God knows no such letting-down of the standard.
Science even more than the Gospel teaches us humility. She cannot look down on anything, she does not know what superiority means, she despises nothing, never lies for the sake of a pose, and conceals nothing out of coquetry. She stops before the facts as an investigator, sometimes as a physician, never as an executioner, and still less with hostility and irony.
I see lies everywhere - switch on the television, it's lies. Everything is lies. In the art world or science community, we are intellectuals, people who research, who are interested in learning and thinking. I think the level of lies is way lower than when you step into what I call "the outside world".
Barbara said she knew it was in as soon as she shot it. She's told me a lot of lies over the last four years, but that was the biggest one I've ever heard.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
The appeal of the cat lies in the very fact that she has formed no close bond with [man], that she has the uncompromising independence of a tiger or a leopard while she is hunting in his stables and barns: that she still remains mysterious and remote when she is rubbing herself gently against the legs of her mistress or purring contentedly in front of the fire.
Lies can be verbal or nonverbal, kindhearted or self-serving, devious or bald-faced; they can be lies of omission or lies of commission; they can be lies that undermine national security or lies that make a child feel better. And each type might involve a unique neural pathway.
In particular, for my character, Celeste [in Big Little Lies], there was a way in which we wanted to present her, because she has sort of barriers that she has to put up for protection because of things that are going on in her life. Yet she wants to be, I suppose, very presentable but neutral.
Meryl Streep's brilliant, just brilliant. I've been fortunate to do two movies with Meryl. And for an actor to go moment to moment like she does, there's no one better. And she dances between moments. Each take is different because she's riding instincts, she's riding impulses. And she trusts that.
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