A Quote by Henry Miller

If we are always arriving and departing, it is also true that we are eternally anchored. One's destination is never a place but rather a new way of looking at things.
One's destination is never a place but rather a new way of looking at things.
My destination is no longer a place, rather a new way of seeing.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
I think the fact that my wife died in Mexico City makes it very important to me; my life went up in smoke at that moment, the family and the future we were going to have. At that point, I was anchored to the city in a way I've never been anchored to a place before.
The real pleasure of cruising is arriving at a new destination.
Me, my literary reputation is mostly abroad, but I am anchored here in New York. I can't think of any other place I'd rather die than here.
when one learns a different way of dealing with the situation, one no longer has to have a purpose. One is not on the way to somewhere. Or rather, one is on the way and one is also at the destination at the same time. That is really what meditation is for.
The truth is of course is that there is no journey. We are arriving and departing all at the same time.
It's not a question of arriving and putting in a whole new administration, but instead, arriving and "compacting" things as much as possible, reducing management layers. We want as few management layers as possible, so that executives are very close to the operations. We also don't believe in having big corporate infrastructures.
I think arriving at or departing from any airport in America is just horrendous these days.
My life is ticking away one subway token at a time - a never ending pirouette of arriving and departing, pushing through turnstiles, nodding goodbye and hello. In eight hours I'll be allowed to turn around and go home.
The idea of human rights and freedoms must be an integral part of any meaningful world order. Yet, I think it must be anchored in a different place, and in a different way, than has been the case so far. If it is to be more than just a slogan mocked by half the world, it cannot be expressed in the language of a departing era, and it must not be mere froth floating on the subsiding waters of faith in a purely scientific relationship to the world.
There's a spectrum of possibilities. You can underline the bass, or not at all. You can create something that is well-anchored or that is floating and never arriving. You can make a melodic line dominant or barely visible. The conducting gesture is akin to painting or sculpture.
Zionism is nothing more, but also nothing less, than the Jewish People's sense of origin and destination in the Land linked eternally with its name. It is also the instrument whereby the Jewish Nation seeks an authentic fulfillment of itself.
Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while also acknowledging the way in which the making of things with hands has such a complex, alienated place in our culture.
If you travel as much as I do - 165,000 miles last year - you exist nowhere. You're always between heaven and earth, you're always arriving in a new place, you're always starting from the beginning - talk about origins - and you don't know quite what's going to unfold. You live in the unexpected and the inexplicable all the time.
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