A Quote by Henry Miller
What is not in the open street is false, derived, that is to say, literature.
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On winning Literature Nobel Prize: I was actually in the street. Yes, I was in the street. It was my daughter who notified me.
Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
The only ethical principle which has made science possible is that the truth shall be told all the time. If we do not penalize false statements made in error, we open up the way for false statements by intention. And a false statement of fact, made deliberately, is the most serious crime a scientist can commit.
In some ways, getting published in children's literature is a little more open than publishing adult literature. It's less hinged on who you might know.
The Malays can hardly be said to have an indigenous literature, for it is almost entirely derived from Persia, Siam, Arabia, and Java. Arabic is their sacred language.
In New York, I'll walk down the street and someone will say, 'Nice show,' and that's it. If I'm at a food festival, it's open season.
It certainly seems too simple to say what I am going to say, yet it is almost as if you would be better off turning the entire rational approach upside down, taking it for granted that all of its assumptions were false, for they are indeed more false than true.
Literature may be false, but it is not trivial.
An irreligious man is not one who denies the gods of the majority, but one who applies to the gods the opinions of the majority. For what most men say about the gods are not ideas derived from sensation, but false opinions, according to which the greatest evils come to the wicked, and the greatest blessings come to the good from the gods.
When we seem to have won or lost in terms of certainties, we must, as literature teachers in the classroom, remember such warnings -- let literature teach us that there are no certainties, that the process is open, and that it may be altogether salutary that it is so.
It is always the false that makes you suffer, the false desires and fears, the false values and ideas, the false relationships between people. Abandon the false and you are free of pain; truth makes happy, truth liberates.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
Mubarak would meet with me when I was at Central Command. He would lean and put his hand on my knee, as if a father figure, and say, 'General, don't ever forget the Arab Street. Listen to the Arab Street.' I'd like to go to him now and say, 'Mr. President, what about that Arab Street, what's that all about?'
I almost got kidnapped trying to find a taxi in the street. In Saudi Arabia, it's not normal for a woman to walk in the street alone, and I don't cover my face, so I am an open target.
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
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