A Quote by Henry Moore

The construction of the human figure, its tremendous variety of balance, of size, of rhythm, all those things make the human form much more difficult to get right in a drawing than anything else.
Motherhood is this sort of "curtain lifting" of tremendous power that we have individually as women. It's tremendously freaky to have a human being grow inside your body and eventually turn into a human being, and then birth that human being, and then have them be separate from you. Those things are scary. It's also really, really scary to face the idea of losing a child and losing someone you love more than you've loved anything before. All of those things are innately really terrifying, and what it does to me is bring me to a direct kind of confrontation with my human vulnerability.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
Is there anything more true than human pain? Is there anything more sincere than the cry for help from those who suffer? Only a great wave of mankind's pity can surmount an immense wave of human misery?
I believe that people want the scent of love, more than anything else. And I don't mean sentimentality, I don't mean mush. I mean that idea, that human beings are more alike than we are different. And that means that I can love you. I don't mean support you in bad things you do, that I can understand because you're a human being.
I like human comedies - or dramedies. More than anything, I'm interested in people just dealing with everyday things that are difficult, and there is more than enough comedy and drama in that.
Being human is difficult. Some people make it more difficult than others. I was one of those people.
The human element and human judgment around understanding the physics of machines and the process, and how those come together, I think there's going to be a balance we all need to figure out how to strike.
That's sort of my mindset, more than anything else, whenever I get into anything new. I'm in this constant pursuit for new knowledge. I think I sometimes focus more on all the things that I don't know and what I'm trying to figure out.
People are annoyed with the Chinese for not respecting more human rights. But with a population that size it's very difficult to have the same attitude to human rights.
Even if drugs are fully as destructive as they are usually claimed to be, it is morally wrong and demonstrably more destructive for government to deprive people of their unalienable, individual, civil, Constitutional, and human right to make an utter mess of their own lives. Since human beings are inclined to learn more from the mistakes they make, rather than from their triumphs, the right to fail, for individuals and groups alike, may be even more important than the right to succeed, and it must be fiercely protected at almost any cost.
The salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and human responsibility.
I don't eschew autobiographical writing, but I'm not interested in mine to be so straightforward. The things that tend to move me the most are often those that I have to figure out its meaning for myself. The human being's ability to make a metaphor to describe a human experience is just really cool.
What is it that distinguishes you and me from the lower animals - from the beasts? More, I say, than anything else, human sympathy - human sympathy.
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