A Quote by Henry Moore
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
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I can't speak in too much detail about a book or story I'm working on because I find that it takes the energy out of my writing. When I begin to work, it's like a soda bottle that's been jostled before it's opened. There's a lot of pent up energy in there. I have to let it out slowly, carefully, so that I can turn it into a written work.
In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous.
It's very important for any artist, in any field, to take their own temperature and check out their own energy, and see what it is they ought to be doing to keep the energy up. Because if your energy is not up, you're going to come up with some really dreary piece of work that no one's going to enjoy.
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
• Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starving—you're high as a kite, sleepless, full of a frenetic, unstable energy—and the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.
There may be some difficulties during a period of adjustment. Specifically, picking up their life again and making their own truly independent decisions.
My life is extremely full and wretchedly busy, and I feel that while my life drains energy from my work, my work in turn drains energy from my life. The result is, I am always playing catch-up spiritually. That is my thorn.
Gravy Train!!!! damaged me because I don't think I will ever again experience something so intense and exciting. We were so young and pent up - and didn't care about anything else in the world.
That intense faith in another world, that intense hatred for this world, that intense power of renunciation, that intense faith in God, that intense faith in the immortal soul, is in you. I challenge anyone to give it up. You cannot. You may try to impose upon me by becoming materialists, by talking materialism for a few months, but I know what you are; if I take you by the hand, back you come as good theists as ever were born. How can you change your nature?
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it
I've got quite a lot of energy in me and a lot of pent-up aggression. I'm like a dog. I need walking.
Underlying all your choices, particularly subject matter and the way you represent it, should be your own personal scruples, the standards and rules that you voluntarily set for yourself, and which you may change or abandon whenever you choose - without explanation to anyone.
When you can’t do something truly useful, you tend to vent the pent up energy in something useless but available, like snappy dressing.
When you can't do something truly useful, you tend to vent the pent up energy in something useless but available, like snappy dressing.
That's the most difficult issue for me - to find a subject that holds my interest long enough that I'm prepared to go to work and spend the time and energy to shoot the subject.
That's the most difficult issue for me... to find a subject that holds my interest long enough that I'm prepared to go to work and spend the time and energy to shoot the subject.
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