A Quote by Henry Parkes
In one hand I have a dream, and in the other I have an obstacle. Tell me, which one grabs your attention?
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Tell me some true things about fighting.''Tell me you love me.''I love you,' the girl said. 'You can publish it in the Gazzettino if you like. I love your hard, flat body and your strange eyes that frighten me when they become wicked. I love your hand and all your other wounded places.
It grabs me, but not as much as it grabs some of the other people that rave about them. With the Black Keys, I'm missing crescendos with the sax, keyboard or guitar solo. It never comes to me. All my favorite music is rife with crescendo and I'm not hearing enough with them. If you can get the Black Keys to hear this, tell them I offer my crescendo guitar anytime they desire it.
We live in an extraordinary time, in which one still has the ability to mold opinion. Also, it's up for grabs. Perceptions are up for grabs in a way that it hasn't been before, which makes it really interesting. Societies that have always defined other aspects of human experience, or histories, try to hold on to it and try to find ways to continue to be the ones who do the interpreting.
Tell me your Dreams and I'll write you a Fantasy. Tell me your Fantasies and I'll paint you a Dream for the minds eye you can get lost in!
So, preferring death to capture, I accomplished the most astonishing deeds, and which, more then once, showed me that the too great care we take of our bodies is the only obstacle to the sucess of those projects which require rapid decision, and vigorous and determined execution. In reality, when you have once devoted your life to your enterprises, you are no longer the equal of other men, or, rather, other men are no longer your equals, and whosoever has taken this resolution, feels his strength and resources doubled.
I start to follow her, and Alex grabs my hand. "I'll find you," he says, watching me with the eyes I remember. "I won't let you go again." I don't trust myself to speak. Instead I nod, hoping that he understands me. He squeezes my hand. "Go," he says.
Pay attention to your friends; pay attention to that cousin that jumps up on the picnic table at the family reunion and goes a little too 'nutty,' you know what I mean? Pay attention to that aunt that's down in the basement that never comes upstairs. We have to pay attention to our friends, pay attention to your family, and offer a hand.
Sexual behavior is not, as is too often assumed, a superimposition of, on the one hand, desires which derive from natural instincts, and, on the other hand, of permissive or restrictive laws which tell us what we should or shouldn't do. Sexual behavior is more than that.
You merely dream that you roam about. In a few years your stay in India will appear as a dream to you. You will dream some other dream at that time. Do realize that it is not you who moves from dream to dream, but the dreams flow before you and you are the immutable witness. No happening affects your real being-that is the absolute truth.
I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.
In his dream she was sick and he cared for her. The dream bore the look of sacrifice but he thought differently. He did not take care of her and she died alone somewhere in the dark and there is no other dream nor other waking world and there is no other tale to tell.
There is often times when I'm in a bar or after a show, and a woman just grabs my head and shoves it into her cleavage, or grabs my ass, or something like that which - don't get me wrong. I'm not complaining, but it's just interesting. It's just interesting that that occurs.
It seems to me I am trying to tell you a dream - making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams.
When your attention moves into the Now, there is an alertness. It is as if you were waking up from a dream, the dream of thought, the dream of past and future. Such clarity, such simplicity. No room for problem-making. Just this moment as it is.
What helps most is remembering that such a cry or attack or sly blow is a reflection of that other person’s inner state; it is not an omniscient summary of you. Your reaction reflects your own inner state, and that can tell you which aspects of your own inner world are needy of attention. p.291
I think it is important to begin with a statement in your speech that grabs the attention of the audience. I try to make my opening line 15 words or less.
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