A Quote by Henry Rollins
After having read a lot of fiction, literature, whatever you want to call it, from Wolfe to Houellebecq, I think you have to have an understanding and insight of the human condition that is informed and motivated by a desire to immerse yourself in the human world and bring these stories to bear.
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I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
There are so many stories to tell in the worlds of science fiction, the worlds of fantasy and horror that to confine yourself to even doing historical revisionist fiction, whatever you want to call it - mash-ups, gimmick lit, absurdist fiction - I don't know if I want to do that anymore.
in addition to the conditions under which life is given to man on earth, and partly out of them, men constantly create their own, self-made conditions, which, their human origins notwithstanding, possess the same conditioning power as natural things. whatever touches or enters into a sustained relationship with human life immediately assumes the character of a condition of human existence. this is why men, no matter what they do, are always conditioned beings. whatever enters the human world of its own accord or is drawn into it by human effort becomes part of the human condition.
Who reads short stories? one is asked, and I like to think that they are read by men and women in the dentist's office, waiting to be called to the chair; they are read on transcontinental plane trips instead of watching banal and vulgar films spin out the time between our coasts; they are read by discerning and well-informed men and women who seem to feel that narrative fiction can contribute to our understanding of one another and the sometimes bewildering world around us.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
The business of fiction is the study of the human condition, and gender is something that many humans are obsessed with, thus making it rather difficult to ignore when studying the human condition!
I think Shakespeare had a lot to contribute with his understanding of the human condition.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
Every type of destruction that human philosophy, human science, human reason, human art, human cunning, human force, and human brutality could bring to bear against this Book, and yet the Bible stands absolutely unshaken today. At times almost all the wise and great of the earth have been pitted against the Bible, and only an obscure few for it. Yet it has stood.
My motivation is to get a deeper understanding and exploration of something that I want to know about the human condition. So, that's what I look for in the material I read: if it's asking a genuine question about a concept of the world that interests me. And also, it helps if it's a context that I find interesting.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
I try to find scripts of stories that kinda celebrate the human condition... let's talk about the tough world out there and the human spirit overcoming adversity.
I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
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