A Quote by Henry Rollins

I don't really write for fun; it's not an enjoyable experience. For me, art, or whatever the hell it is I do, has always been a refuge from that which makes me want to tear my lungs out. That's why I play like I play; I'm not into entertainment.
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.
[John Coltrane] liked my qualities as a person and that's the reason why he let me play with him. It wasn't what I was doing musically or my instrument or anything like that. He let me play whatever I wanted to play.
I was never like, 'Oh, I really want to play Cinderella.' That's not necessarily always been the dream. But it's super fun to play a princess.
I'm drawn to subversive material and material that speaks to communities and people who tend to be marginalized, and telling those stories in ways that subvert expectations. That's always been fun for me to play and always been fun for me to write.
It's taken me a long time to get work, so that's why I like to play really different characters that are really foreign to me. I want it to be something great, and I want to have a great experience.
I always like playing the bad guys. They have more fun! I want a director to come up to me and say, "You can't get too weird!" That's a good thing. I loved hearing that. Let me play. I like to play around.
The desire to play has always been in me. I remember my first experience at about four or five of really dying to sing and dying to play that came from no one telling me to do so.
Recording can be enjoyable, but the hard thing is that you don't get any direct or immediate feedback like you do when you play live. Getting to see people's excitement and see them engage in the show makes me excited to get back out and play.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.'
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.' It's a goddamn shame.
Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.
I eat whatever I want. I like bread and cheese and wine, and that makes my life fun and enjoyable.
Filmmaking is a huge privilege; it's not brain surgery. It's art, and art is supposed to be an enjoyable process, and it is an enjoyable experience for me.
I want to bring that childlike approach every night - just go out there and have fun. I want to play like a kid, for fun but with intensity. Play to win.
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