A Quote by Henry Rollins

Don't let despair mutate your flesh Look at my twisted stumps of thought See the fingers, listen to the voice I am slowly becoming the end of the line. — © Henry Rollins
Don't let despair mutate your flesh Look at my twisted stumps of thought See the fingers, listen to the voice I am slowly becoming the end of the line.
When you listen to the voice in your head, listen to it impartially. That is to say, do not judge. You'll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.
The imagination says listen to me. I am your darkest voice. I am your 4 a.m. voice. I am the voice that wakes you up and says this is what I'm afraid of. Do not listen to me at your peril.... The imagination is not our escape. On the contrary, the imagination is the place we are all trying to get to.
Your ego is your embodiment and your self is your potentiality and that's what you listen to when you listen for the voice of inspiration and the voice of 'What am I here for? What can I possibly make of myself?'
I can't listen to my own voice, I don't like it. You see all your mistakes when you hear your voice. You see all your imperfections.
I wonder from these thousand of "me's", which one am I? Listen to my cry, do not drown my voice I am completely filled with the thought of you. Don't lay broken glass on my path I will crush it into dust. I am nothing, just a mirror in the palm of your hand, reflecting your kindness, your sadness, your anger. If you were a blade of grass or a tiny flower I will pitch my tent in your shadow. Only your presence revives my withered heart. You are the candle that lights the whole world and I am an empty vessel for your light. Rumi - "Hidden Music
The truth is that man is one individual with two aspects, just like one line with two ends. If you look at the ends, it is two. If you look at the line, it is one. One end of the line is limited, the other end of the line is unlimited. One end is man, the other end is God.
Something in the movement of fingers on the keyboard enhances thought. Fingers pull your thoughts forward. Fingers are in some way an extension of your brain, with a lot of cortex associations at their trigger. Get them going!
The idea for a book usually bubbles up from my sub-conscious when I am drifting off to sleep. Each one has started as a line or two that I've heard in my head. As a writer, you have to leave space to listen for words. That means finding time to be quiet and listen for that still, small voice.
If I didn't have fake nails, my fingers would be bloody stumps.
I can't move my body slowly. I can't move the line slowly. So I end up with way too much, often opaque to me later.
If you choose to take your compass from power, in the end you find only despair. But if you look around the world you can see and touch - the everyday world that is too easily dismissed as everyday - you see largeness, generosity, hope, change for the better. It's always small, but it's real.
You always have these moments when projects are over when you wonder if you'll ever work again. In the end, what it comes down to is that it's a fine line between becoming too enamored of your own success and maintaining the confidence to do what you do and do it well. That's the line every actor, if they're lucky, has to walk.
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
I do not use computer much, but I am slowly becoming aware of the popularity of Bob Biswas and the jokes on the Internet. I feel like Alice in Wonderland, it's a dream which might end someday.
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.
You have to look at fashion from the perspective of high end editors and publications. Read all the magazines--commercial and underground--and your voice will evolve from what you see there.
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