A Quote by Henry Rollins

Black Sabbath - one of the world's universal language of music. I felt proud, for three or four minutes of my life combining my voice with Tony Iommi's guitar sound. — © Henry Rollins
Black Sabbath - one of the world's universal language of music. I felt proud, for three or four minutes of my life combining my voice with Tony Iommi's guitar sound.
During our first meeting, Tony Iommi was a great jazz guitarist, his capabilities cover all styles - Black Sabbath has even narrowed his horizons.
There's only one Sabbath guitarist and he is the architect for everything, Tony Iommi.
As far as people, I've always loved Tony Iommi's sound, just the grittiness that was in that era of metal where it wasn't too fuzzy, and you could still hear the guitar and the fingers, but it still had this chunky, meat-and-potatoes sound to it.
How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.
You listen to Black Sabbath with Ronnie James Dio in it, and it's not Black Sabbath. They should have just called it 'Heaven and Hell' right from the beginning. Because you listen to that 'Heaven and Hell' album, that doesn't sound anything close to Black Sabbath.
I've often said that with Black Sabbath you ought to have put a lasso around the sound and pulled it in. That's the best way to record Black Sabbath.
There’s one thing about Black Sabbath which should not be understated: If Black Sabbath is missing any one of its members it’s no longer Black Sabbath.
Being in a band with three guitar players, one thing you need to do is learn to make each guitar voice sound separate and identifiable.
It was shocking to see Nirvana play, because it was like, "Here's this little guy with a monster-guitar sound." And it was heavier than Black Sabbath. That was shocking.
Music is a plane of wisdom, because music is a universal language, it is a language of honor, it is a noble precept, a gift of the Airy Kingdom, music is air, a universal existence common to all the living.
When we did 'Air Dance,' I thought we were actually quite courageous doing that because it's not necessarily quote-unquote a Black Sabbath song. But I don't give a damn about that because it is part of Black Sabbath; it is a Black Sabbath song.
I was a kid that grew up listening to The Beatles and The Stones and Jimmy Page and Eric Clapton and Jeff Beck, and I wanted all of that in there. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I'm just a sum total of all of the guitar players that I think were really cool.
I once asked Ozzy Osbourne, truly one of my favorite people in the world, if he was cool with singing Black Sabbath songs year after year, whether he was performing with Black Sabbath or out on a solo tour. He said it was great.
I love that sense of change that you'd get in pop music every three minutes, every four minutes.
The guitar, by its very nature, the nature of its sound, by the soft nuance of its powerful and ancient voice, by the magic of the tone, goes directly to the part of oneself where love is felt. When I hear the sound of the guitar, it goes to some part inside of me that opens the door that holds feelings of love and everything that is beautiful which lives inside of me.
It is music that, being the universal language, has no need to learn any particular language of the world.
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