A Quote by Henry Rollins

I'm just shallow and self-interested, and don't get out much because I'm afraid of real commitments. — © Henry Rollins
I'm just shallow and self-interested, and don't get out much because I'm afraid of real commitments.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
I'm not much interested in my own self when I write. I'm interested in what I observe out there, what's going on around me.
Speaking of Self-realizatio n is a delusion. It is only because people have been under the delusion that the non-Self is the Self and the unreal the Real that they have to be weaned out of it by the other delusion called Self-realizatio n; because actually the Self always is the Self and there is no such thing as realizing it.
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
Usually, when you first start out, you're so grateful to get anything that you just sort of take it and say: "Thank you very much." You're too afraid to even mention the money because it's embarrassing.
Consensus is usually made possible by vague language and shallow commitments.
Real heroes are men who fall and fail and are flawed, but win out in the end because they've stayed true to their ideals and beliefs and commitments.
I'd tell my 20-year-old self, 'Don't be afraid to do it all. Whatever you're interested in, just go for it. Don't wait around for a better time.'
Why can't women get along? Because we're afraid. We're afraid to be vulnerable. We're afraid to be soft. We're afraid to be hurt. But most of all, we're afraid of our power. So we become controlling and aggressive and vicious.
I try to open up my heart as much as I can and keep a real keen eye out that I don't get sentimental. I think we're all afraid to reveal our hearts. It's not at all in fashion.
I think people find it so easy to write off teenagers and millennials as just being like these shallow, self-centered people who don't have anything real going on and who are always just on their cell phones. But being a teenager is really hard.
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.
An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
Were not one thing, as human beings, so any character that is written uni-dimensional, thats just a shallow character with shallow writing and shallow acting.
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