A Quote by Henry Rollins
You’ll never know that just sitting across a room full of people, I have transformed you into a goddess. A destroyer of despair.
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I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture. It could rain in a room this big.
There's nothing more mundane than sitting across from a celebrity in a sterile gray conference room. But when the star sitting across from you is Taraji Penda Henson, you are being treated to a master class in the art of the hustle.
The great risk is always saying, "how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?"
It just never comes across as a quality you want in a president that you`re sitting in a room. It`s almost as if they woke up and realized, You know, we`re running against a former secretary of state. Our guy used to do the Miss Universe pageant around the world. Maybe we should try to heavy this up.
You know, there's a thing about the woman across the room. You see the woman across the room, you think, She's so poised; she's so together. But she looks at you and you are the woman across the room for her.
If I'm in a room full of intense people, I'm pretty normal. If I'm in a room full of people who aren't, maybe I'm intense. I don't know, I don't think of it that way.
Leaving the house is a big enough occasion for me, so getting on a plane and flying across the world and playing to a room full of people is just out of this world.
But I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
It means, people who are in high and responsible positions, if they go against righteousness, righteousness itself will get transformed into a destroyer.
But at its core, 90 percent of my job is still sitting down in a room full of people, and breaking storiesand that requires virtually no technology.
At its core, 90 percent of my job is still sitting down in a room full of people, and breaking stories... and that requires virtually no technology.
I'm terrified of walking into a room full of people. Sitting down at a dinner table with 15 strangers brings me out in a sweat.
When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
But there's something about the simplicity of Auschwitz... there's just nothing. There's just photographs, there's a room full of limbs, a room full of hair, and then you go into the place where the gas chambers were. You walk down these halls and the efficiency of it is so inhuman. The place is so powerful, just for its utter bald, bare simplicity.
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