A Quote by Henry Rollins
I'm not a thrill seeker. I'm not looking to get kidnapped. I'm not looking to get a shot at. I've been shot at. I didn't like it.
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At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.
If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.
It just depends on what's asked of me, but normally I'm looking to make the right, easy play. So if I can get a teammate a layup, if I can get him an open shot, I just think that gets the ball moving and I feel like it makes everybody feel good and we get into a better offensive rhythm.
Do I think Vince McMahon was looking at my matches in Japan going, 'We need him?' No. He wasn't. He's too busy. There's no way. But somebody may have been looking and going, 'All right, I like this guy. Let's give him a shot.'
It took me a good decade of hiding in my house and not going outside to even, like, get my arms around this idea of celebrity, where suddenly people are looking for you to pick your nose or get a shot of you kissing some woman. It's a very discombobulating thing.
So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."
[Martin] Scorsese says one of the great things he loves about it is how Mark can't get the right shot and he's killing people because he can't get the right shot. It's an example of what film-makers are like.
It took me 10 fights to get the damn interim title shot and then 11 to get an undisputed shot.
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
It took me 11 years to get a shot at the WWE championship; not just to win it, but just to get a shot, but luckily I was able to capitalize on that and become WWE champion, but if I had quit I wouldn't have been in that position.
I'm the kind of person who if I was playing the role of someone who got shot, I'd probably want to get shot so I knew what it felt like.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
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