A Quote by Henry Rollins

Joe Strummer, Johnny Rotten, and Ian MacKaye were all people who really made me see things differently. — © Henry Rollins
Joe Strummer, Johnny Rotten, and Ian MacKaye were all people who really made me see things differently.
Ian MacKaye was in London while I was living there. We both decided that even though we had very different lifestyles, we had the same mentality - politically, and in a lot of other different ways. His statement was, "We're going to the same place, except you're taking a taxi, and I'm driving my own car." That's me and Ian MacKaye's relationship. I love him, he's great.
There are people who are genetically made to start record labels, and I'm not one of those people. People just have it in their blood and are good at it. Corey Rusk from Touch and Go and Ian MacKaye. These are people who have made their own labels.
I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
I never met Johnny Rotten, and I didn't want to meet Johnny Rotten.
Punk-rock gave music back to people. For a long time, when I was very young, I went to go see arena rock bands. I was 16 and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that. Me and [Minor Threat and Fugazi vocalist] Ian MacKaye would go to these concerts, and it was fun.
Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
I think Ian MacKaye is everything that I always wanted to be.
I think my biggest musical hero growing up was probably Ian MacKaye he set a great example for all of us local musicians. Still to this day I see him as the best example of a right-on musician.
I think my biggest musical hero growing up was probably Ian MacKaye. He set a great example for all of us local musicians. Still, to this day, I see him as the best example of a right-on musician.
When you grow up in that (multi-ethnic) environment, you see the world differently. Being a mixed-race child, I didn't always see colour in people, I really didn't. It was other people that made me see the colour all the time.
Every time I met any of my heroes I was disappointed - the exception was Joe Strummer, who was like an uncle to me.
My first influences for playing were Johnny Ramone and Jimmy Page, the same as everybody else. Joe Perry. The guys in Alice Cooper's band, whatever their names were. Mick Ronson from David Bowie. You know who really influenced me to write songs? Iron Maiden.
When Johnny came to Baltimore the same time I came we were rookies. He did have some pro experience. He did go with the Pittsburgh Steelers and they cut him. I had no pro experience. My thing was that hey I got to make this team. Johnny Unitas wasn't Johnny Unitas.He was just like every other quarterback. You couldn't see the things we know that evolved out of that years later. As the years went on I could really start to see him settle in that position. Fortunately for Johnny U., Weeb Ewbank was there and he worked with his quarterbacks. He had them knowing every aspect of the game.
I took my mother's knife and played johnny johnny johnny on the playhouse floor. I was drunk, stabbed myself every few throws. I held my hand up and there was satisfaction at seeing my blood, the way there was when I saw the red gouges onmy face that people stared at and turned away. They were thinking I was beautiful, but they were wrong, now they could see how ugly and mutilated I was.
Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.
I've interviewed everyone from Joe Strummer to Iggy Pop.
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