A Quote by Henry Rollins

We Americans look funny when we're in France because we don't travel, we are fairly un-cultured whereas Europeans go to Africa all the time because it's right there. — © Henry Rollins
We Americans look funny when we're in France because we don't travel, we are fairly un-cultured whereas Europeans go to Africa all the time because it's right there.
Whereas Europeans generally pronounce my name the right way ('Ni-klows Wirt'), Americans invariably mangle it into 'Nick-les Worth'. This is to say that Europeans call me by name, but Americans call me by value.
Though I don't have any serious argument with Neil Gaiman's 'American Gods', I believe that Americans cease to be Europeans - the land makes them become Americans. You see it happening all the time when you travel around America.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
Europeans, like some Americans, drive on the right side of the road, except in England, where they drive on both sides of the road; Italy, where they drive on the sidewalk; and France, where if necessary they will follow you right into the hotel lobby.
According to current birthrate projections, France will be a majority Muslim country anyway in about 50 years. I get a lot of e-mails from Americans who think that Europeans are spineless. And I think they're right.
It seems that American patriotism measures itself against an outcast group. The right Americans are the right Americans because they're not like the wrong Americans, who are not really Americans.
Look at the chaos of European history. Europeans cannot believe in certainty. But Americans believe in certainty. Americans think this can go on like this forever. Just as it is. No change.
When African-Americans come to France, the French show them more consideration than they would show an African or a Black Caribbean. When African-Americans come to France, the French people are like, 'Oh, wow. Oh my God.' But if it's an African, they're like, 'Whatever.' It's all because of the past, because of our history.
Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa - previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by Gaddafi: 'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe', and this is exactly what happened.
North Americans as a whole need to embrace having clothes altered to their body. I hear it all the time: why do the Europeans always look so good? They have a relationship with their tailor and spend the time and money to make their clothes look their best.
Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa - previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by [Muammar] Gaddafi: 'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe, and this is exactly what happened.
In the industrial nations, there's a sense that Africa would go under without development aid. But believe me, Africa existed before you Europeans came along. And we didn't do all that poorly either.
There are some women and a lot of dudes who are into my look, but I need to convey that I'm funny ahead of time. That's how I got laid. Every girl I've ever been with is because I was funny, not because they were into a 300-pound bearded, pale dudes.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
I travel fairly lightly because you have to these days. I always take a laptop and an iPod so I can watch movies and listen to music. And my Gameboy. That's a good time-killer.
I look at the world and I find the funny in it, because there's funny in everything. No matter how ugly it may be, there's a funny way to look at it.
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