A Quote by Henry Rollins

If it were a choice between me getting killed or one of my friend's kids, I would happily take the shot. — © Henry Rollins
If it were a choice between me getting killed or one of my friend's kids, I would happily take the shot.
The technologists and entrepreneurs I know are generally good people. If they were given a choice, 'Do your job and eliminate normal jobs' or 'Do your job and create abundant opportunities,' they would choose the latter. Most of them would happily even take a small hit to do so. But this isn't a choice they're given.
I would happily, sometimes more than happily, have vacated my role as an animal theologian, if there were others prepared to take my place.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
I never thought I was writing for kids at all. It really shocked and unsettled me to hear kids were buying the books. If I'd known I was writing for kids, I might actually have spelt things out a bit more, and that would probably have killed the appeal.
The subject matter itself lends itself to the black side because the kids are drug dealers and kids that are getting shot by police and getting shot by themselves. People automatically associate that with blackness because of the news.
In the end it all comes down to this: you have a choice (or more accurately a rolling tangle of choices) between giving your work your best shot and risking that it will not make you happy, or not giving it your best shot - and thereby guaranteeing that it will not make you happy. It becomes a choice between certainty and uncertainty. And curiously, uncertainty is the comforting choice.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
There is a choice before us as people who live in a great world, so knit together that even America cannot stand quite outside it, or act as though it were situated somewhere on the moon! That choice is a choice - let me put it quite brutally - between heaven and hell. ... But it is not a choice between a heaven or a hell beyond the grave; it is a choice between making heaven or making hell on this side of the grave, and in this world, here and now.
All the poison that my Hon. friend (Edwina Currie) suggests I would happily take rather than be spread eagled on the floor of the House by her.
In my short film, 'Gasman,' I shot it at a kid's party. And the kids were just having a party - they couldn't care less about our film. But that was great because we got this amazing footage where kids were drinking soda and pop or whatever, and getting that sugar high and beating each other up or dancing.
Disney cartoons are all rated G. It's really funny. There are kids all over the world who still have complexes over Bambi's father getting shot by the hunter and Bambi's mother getting crisped. But that's the way it's always been. This is the sort of material that appeals to kids. Kids understand it instinctively. They grip it.
A friend of ours said if the same laws were applied to U.S. Presidents as were applied to the Nazis after WWII, that every single one of them, every last rich white one of them, from Truman on would be hung to death and shot. And this current administration is no exception. They should be hung and tried and shot as war criminals.
If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.
I am always torn. Between control and chaos; passion and tranquility. Between what's fated and what I want. Part of me longs to take the plunge, to dive off headfirst and let the feeling of control evaporate on the wind. And part of me wants to be in a place where I'd never have to worry about that choice--or any choice. Where peace and calm are the only things I'd feel.
I grew up in a tough neighborhood where a lot of kids were older than me. The older kids decided to pick me on me starting when I was about 6 and it didn't take me long to take a stand for myself.
My two boys were the same ages as the kids in the show. In real life or in between the breaks I was raising two kids off camera who were not unlike the two kids who were being paid to be my kids.
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