A Quote by Henry Rollins

That's the only interaction I have with people, those talking shows. Most of the people in my phone book are artists, management, producers, engineers. I don't ever call people with, "Hi! How are you?" I say, "How are you? Do you have that 16/30 ready? When do you want me to come into the studio?" That's what I do.
If artists want to have people come to their shows and buy their merchandise, they really have to make a commitment to those fans and bring the best music, shows and interaction that they can. This is something that won't change with technology or economy.
I take pride in how I interview people. One of the things people come to our show for most is the interaction I have with the artists; it feels very peer-to-peer.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
If your only nice to the people that are nice to you, big deal; what do you want, a gist certificate? Everyone does that. And if you only say "hi" in the hall to the people that say hi to you, what are doing more than anyone else? Maybe you know people who are different when they're alone than when they're with their friends. they might say "hi" to you if your alone, but with a group they act like they've never seen you.
There's a lot of letters, and a lot of people come say "hi" at book signings, but I'm amazed at how normal everybody is.
I've done network shows. A director will call me and say, 'Do you want to do this with me?' and I'll say, 'Sure,' but I couldn't do it forever because there's no real expression. That's not how people talk.
When I came into office, people said, 'Billionaire? How do they live? What do they eat? How do they sleep?' Today, they see me on the subway coming uptown. A couple of people say hi, some people smile and nod. Some people just sleep. It's not an issue.
You start to do shows and people come up to me and say, "I wish more people were here, how come more people aren't here?" and that just starts to get a little.
The central problem of management is how spontaneous interaction of people within a firm, each possessing only bits of knowledge, can bring about the competitive success that could only be achieved by the deliberate direction of a senior management that possesses the combined knowledge of all employees and contractors
I like to play around with people who don't know me. Often I'm talking to people through my speaker phone, and after 10 minutes or so they say, 'Wait a minute, Marlee, how can you hear me?' They forget I have an interpreter there who is signing to me as they talk. So I say, 'You know what? I can hear on Wednesdays.'
If I say to my daughter, "Go say `hi' to Aunt Gertrude," there is a reason there. I'm teaching her manners. I think the idea that she'll say `hi' to Aunt Gertrude only if she wants to is the biggest crock of silliness I've ever heard. Yet I meet people everyday who were clearly brought up to think that if they didn't want to say "hi" to Aunt Gertrude, that was fine.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
How do I play the princess thing? I don't, really. I don't like talking about it much and find it annoying when people say things like, 'Oh, you're the princess.' One of my best friends jokingly says, 'Hi, Princess,' and I say, 'Shut up.' It is one of the things that bugs me most in the world.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
I have such memories; I keep thinking about all the people I worked with. I was in the recording studio and I was talking to one of the engineers who is 24 and they don't know these people. They just absolutely don't know the people and it just tickles me. I don't feel like I've grown up.
I cant lie - I love talking to the people at my shows. Im so grateful to all my fans. I couldnt do it for this long without them. So if they want to come past to say hi and whatnot, then its part of my job to talk to them - and you know, it might be the best part of my job, too.
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