A Quote by Henry Rollins
For me, speaking to anyone - on a stage, in an elevator - I am looking for impact and connection. The same goes for writing.
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The deep, intimate connection I am searching for is within me. I am all that I am looking for. I am love. All is well.
Anyone who's making a huge impact or speaking out about what they believe in or who's brave enough to be themselves is a superhero to me.
The outcome of the city will depend on the race between the automobile and the elevator, and anyone who bets on the elevator is crazy.
'Premam' is the reason why I am what I am now. If anyone knows Anupama, it is because of Mary. I don't think any other character had the same impact.
I am the same man writing the music. I haven't changed directions to suit anyone except me.
The biggest impact that acting and theater had was, of course, stage presence, but it also had a big impact on my writing.
I am looking at you and you are looking at me. This is very good. I am looking and I am liking. You are looking and you are thinking, 'I hope she doesn't hit me with her crop.' But that is because I am me and you are you.
If you see me walking down the street, you're gonna see the same guy as you do on stage, dressed the same, looking the same, and nothing changes. I'm just one person.
When John Adams - when - James Madison was writing - pretty much writing the Constitution, he got a letter from Thomas Jefferson, who was then-ambassador to France. And Jefferson said - I am paraphrasing - `Do not forget to keep habeas corpus and strengthen it.' That - in - that's the oldest English-speaking right. It goes back to the Magna Carta in 1215.
In the first Chucky film, there's a scene in the elevator where a woman is just bringing food to a friend's home and they're in that cage elevator. She says, 'What an ugly doll,' and walks away. As the elevator begins to descend, Brad just decides he's going to drop this in and it was so simple but he just goes 'F*&k you,' and the audience went crazy. It was really a marker for us, and an evolution to understand what the potential of not just this killer, but this guy that obviously has some opinions as well.
I have always used emotion as a writing tool. That goes back to me being on the stage.
I have always used emotion as a writing tool. That goes back to me being on the stage
It used to be said that when the Baal Shem Tov came into a town, his impact was so strong, he didn't have to speak. His disciples had to dance or to sing or to preach to have the same effect. I think a real messenger, myself or anyone, by the very fact that he is there as a person, as a symbol, could have the same impact.
I admire anyone who does stage all their life. It's so tough, and it also made me really appreciate how lucky I am with film. You have to do your own makeup with stage, and you have to do so many un-glamorous things.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
A friend of mine said that when Barack Obama was running for president, there was a whole generation of white kids who are used to looking up to a black person center stage speaking. And that's because of hip-hop. So there was no adjustment. A person of color in authority at times is very startling to people. But as time goes on, it becomes less startling.
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