A Quote by Henry Rollins
Entertainment's hard on the ego. I see why actors are so psycho now. Because there's so much 'we don't want you' going on in acting. Even big people get rejected but the smaller people - they really get rejected. Trust me - I know.
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I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.
You're constantly getting rejected in acting. You get rejected more than you get hired!
People are going to bash you. You get rejected. It's hard. I don't really feel like that's my place as the teacher. I think the most important thing is to figure out what they're trying to do and turn them onto writers who are doing similar stuff. I think that's something I can do more than anything else: get them to be big readers.
People are waiting in line for 15 years before they get rejected, O.K.? That's why people don't want to invest in America.
Some are young people who don't know who they are, what they can be or even want to be. They are afraid, but they don't know of what. They are angry, but they don't know at whom. They are rejected and they don't know why. All they want is to be somebody.
It is such a cut throat industry where you get knocked down so much and get rejected so much. If you do not back yourself up, no one else is going to so you really need to learn to get up, shake the sand off your chest and keep going.
My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
For people who seriously want to get into voiceover acting, clearly the most important thing is that you must be a good actor. That comes first. That's why celebrities get so much work in voiceovers - we've seen their work, we know they're good actors.
I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.
People are terrified of other people or difficult projects because they tell themselves that they could fail or be rejected. Failure can lead to sorrow, regret, frustration and annoyance - all healthy, negative feelings without which people couldn't exist. But then they add, "I absolutely must succeed and must be loved by significant persons, and if I don't, it's terrible and I'm no good." Those are irrational beliefs. As long as people keep them, they'll be terrified of life and will put themselves down when they get rejected.
You know, it's hard as a writer to lose characters (and actors) you like. You really don't want them to die because you're not going to get to see them anymore.
Innovative ideas are rarely rejected on their merits; they’re rejected because of how they make people feel. If you forget people’s concerns and feelings when you present an innovation, or neglect to understand their perspectives in your design, you’re setting yourself up to fail.
There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
When I first started out, I found it really hard to be rejected all the time. You invest in a casting, you prepare and get excited about it, then when I fail and don't get it, it makes me question whether I should be a model.
I'd just like to point out that almost all of these stories in this collection were rejected by some publication at one time or another, some of them have been rejected a lot, in fact. Find people you trust and listen to them.
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