A Quote by Henry Rollins

I'm not like paparazzi. I never force myself on anyone. I always ask, and some places offer money. And so I try and get these photos to give you, the viewer, a real look at what I was seeing.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
I'm a bit tight with money, but so what? I look at the money I'm about to spend on myself and ask myself if IKEA's customers can afford it... I could regularly travel first class, but having money in abundance doesn't seem like a good reason to waste it.. If there is such a thing as good leadership, it is to give a good example. I have to do so for all the IKEA employees.
I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
Along the way I have been able to choose some themes which ask questions - not necessarily force a message on anyone, but at least invite the audience to question things: jury service, dignity in dying, Ireland - and not least because they force me to ask myself questions. Where do I stand?
I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.
Many seek and never see, anyone can tell them why. O they weep and O they cry and never take until they try unless they try it in their sleep and never some until they die. I ask many, they ask me. This is a great mystery.
Bookshelves are the most natural places for displaying your personal photos and picture frames. I always print our photos in black and white to keep a classic and cohesive look.
There is nothing remotely dignified about sorting through rotting trash to find something to feed your child, or asking someone for money because you have none (anyone who has contrived to give people money before they had to ask will never forget the look of gratitude in their eyes).
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
If I get to a place early in the morning, I try to walk around by myself. I still try to find cool places to go to, like a record store in St. Louis or some restaurant in Chicago.
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.
Actors are tough because they're not used to challenging questions - other than from paparazzi. And so you just ask one perfectly legitimate question, but one that they're not comfortable answering, and all of a sudden they look at you, and you're the paparazzi.
It's not easy to be my sons because we're very high profile. We try so hard to give them a normal life. I'm very, very tight with them about money. I don't give that money until they ask, 'I need 100 yuan for my lunch card,' and so on. So they never have extra money.
I take my camera pretty much everywhere and try to get the most diverse photos possible, since I get to travel to all the greatest cities in the country and see iconic architecture and things like that. I also like racing photos - like motorcycles, cars, stuff like that.
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