A Quote by Henry Rollins

My acting range is incredibly limited and narrow, but I'm a good heavy. I'm a good authoritarian figure; I don't know why. "Can you be a cop?" Sure. "Can you be a Marine?" Absolutely. Well, at least in a movie.
I'm a good authoritarian figure; I don't know why. 'Can you be a cop?' Sure. 'Can you be a Marine?' Absolutely. Well, at least in a movie.
You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.
We talk about people being narrow-minded when they have a limited sense of possibility. Well, that’s exactly what they are. They are narrow-frequencied, if you like. When we talk about people awakening, it’s awakening to a greater range of possibilities, of awareness and frequencies.
My parents did the whole good-cop/bad-cop thing - Dad was the bad cop, and Mom was the good cop. I remember my father saying, 'I'm his father, not his friend.' That kind of stuck with me.
The thing about all these charities is that who sees where the money goes? I don't and you don't. For all I know, the president of Make a Wish just used all the money to buy himself a mansion and a yacht. That's why I keep all of my money for myself, at least then I know I'm doing good for at least one person for sure.
An artist is either good at color or good at value but rarely good at both. I focus on the tonal range, the dark-light effects, rather than the full color range of bright colors. I just don't know what to do with all those cadmiums.
Doing 'Marine 3' and 'Marine 4,' and kind of knowing what's in store, I knew that when you do a 'Marine' movie that it's hard days, it's long days and all that. You're tired, your body's tired, your mind's tired, but you have to do the acting, you have to do the stunts, you have to do everything.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
I know what a good question would be for an actor. What's your least favorite thing that you've ever heard an actor say about acting? Or about being in a movie?
I'd just like to know what a cop WOULD have to do to get indicted - and what good are cop cameras since Eric Garner IS on tape?
If Anderson was the good cop, and Blake was the bad cop, Jamaal was the complete psycho cop.
I feel that the movie in which I've played a cop or army man have been bigger hits. That's why people remember me more as a cop or army person. I've even noticed that a lot of films in which I've played a variety of wonderful roles haven't done well.
I think Daniel Murphy definitely is premeditated what he'd like to do. He's very good about not missing his pitch when he sees it. I know the ball has to look like at least a softball right now, at least, maybe more to the beach ball variety. He's seeing everything that well. He's a good hitter that is seeing the ball really well right now, and you have to make good pitches to get him out.
Comedians have a tendency to have a limited range, they tend to do one thing and do it very well, but it's limited.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
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